The Brutalist Report

Variety

• ‘Earth, Wind & Fire (To Be Celestial vs That’s the Weight of the World)’ Review: The Tribeca Festival Kicks Off with Questlove’s Indelible Portrait of the Great but Underrated EWF [50m]
• Boots Riley Guesses Martin Scorsese Got ‘A Gang of Money’ for AI Partnership and ‘Doesn’t Give a F—‘ [54m]
• Tony Dokoupil Honors Scott Pelley After ’60 Minutes’ Firing: ‘A Journalist Who Valued Truth at All Costs’ [1h]
• ‘Mapogo: The Lion Throne’ Vertical Documentary Series Set at FlareFlow [2h]
• TikTok Teams With Sundance Institute for Four-Week Microseries Writing Workshop [4h]
• Steve Kroft Says ’60 Minutes’ Is ‘Disastrous’ Under Bari Weiss After Scott Pelley and More Fired: ‘This Is Journalistic Interference’ [4h]
• Tom Holland Once Said Playing Spider-Man in His 30s Would Be Bad, but Now Reveals ‘I Could’ve Been Trying to Leverage Sony’ for a Better Deal: ‘A Strategy to Create Fear’ [4h]
• Music Industry Moves: Mexico’s Intocable Partners With Primary Wave; Julia Jacklin Signs With 4AD [5h]
• ‘We Have to Reinvent Ourselves Time and Time Again’: Inside Variety’s Power of Women London With Cynthia Erivo, Emilia Clarke, Suki Waterhouse, Emma Corrin and Hannah Waddingham — Plus a Surprise Appearance From Dame Joan Collins [5h]
• Wim Wenders Withdraws ‘Wrong Move’ From Circulation Over Nastassja Kinski’s Topless Scene Filmed at Age 13 [5h]
• NBA Finals 2026: Here’s Where to Watch the New York Knicks vs. San Antonio Spurs Championship Series Live Online [5h]
• ElevenLabs Partners With Hasbro’s AI Studios to License Transformers, Mr. Potato Head, Clue Characters and More for AI Use [5h]