The Brutalist Report - variety
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- ‘Earth, Wind & Fire (To Be Celestial vs That’s the Weight of the World)’ Review: The Tribeca Festival Kicks Off with Questlove’s Indelible Portrait of the Great but Underrated EWF [50m]
- Boots Riley Guesses Martin Scorsese Got ‘A Gang of Money’ for AI Partnership and ‘Doesn’t Give a F—‘ [54m]
- Tony Dokoupil Honors Scott Pelley After ’60 Minutes’ Firing: ‘A Journalist Who Valued Truth at All Costs’ [1h]
- ‘Mapogo: The Lion Throne’ Vertical Documentary Series Set at FlareFlow [2h]
- TikTok Teams With Sundance Institute for Four-Week Microseries Writing Workshop [4h]
- Steve Kroft Says ’60 Minutes’ Is ‘Disastrous’ Under Bari Weiss After Scott Pelley and More Fired: ‘This Is Journalistic Interference’ [4h]
- Tom Holland Once Said Playing Spider-Man in His 30s Would Be Bad, but Now Reveals ‘I Could’ve Been Trying to Leverage Sony’ for a Better Deal: ‘A Strategy to Create Fear’ [4h]
- Music Industry Moves: Mexico’s Intocable Partners With Primary Wave; Julia Jacklin Signs With 4AD [5h]
- ‘We Have to Reinvent Ourselves Time and Time Again’: Inside Variety’s Power of Women London With Cynthia Erivo, Emilia Clarke, Suki Waterhouse, Emma Corrin and Hannah Waddingham — Plus a Surprise Appearance From Dame Joan Collins [5h]
- Wim Wenders Withdraws ‘Wrong Move’ From Circulation Over Nastassja Kinski’s Topless Scene Filmed at Age 13 [5h]
- NBA Finals 2026: Here’s Where to Watch the New York Knicks vs. San Antonio Spurs Championship Series Live Online [5h]
- ElevenLabs Partners With Hasbro’s AI Studios to License Transformers, Mr. Potato Head, Clue Characters and More for AI Use [5h]
- ‘Daredevil: Born Again’ Finale’s Hallway Scene Took Three Days of Prep and One Day to Shoot [6h]
- Shia LaBeouf Gets Probation After Pleading Guilty to Battery in New Orleans Bar Fight [6h]
- Emilia Clarke on Moving Forward After Suffering Two Brain Hemorrhages: ‘Recovery Is as Important as Survival’ [6h]
- ‘Diddy: The Reckoning’ Director’s Biggest Challenge Was ‘Cutting Through Social Media’ Noise to Get to the Truth [6h]
- What Martin Scorsese’s AI Embrace Means for Filmmaking’s Future: 5 Takeaways [6h]
- Quentin Tarantino Slams Hollywood as a ‘Flavorless Sausage Factory’ Where ‘Miscast’ Actors, ‘Audience Pandering or Stupid S— Torpedos Every New Movie’ [6h]
- How One Media Company Is Fighting Manga’s Major Piracy Problem [6h]
- Hulu to Develop Scott Turow Novel ‘Suspect’ for TV With Bruce Miller & Marissa Jo Cerar, Matt Shakman to Direct [7h]
- CBS News Gutted ’60 Minutes’ On-Air Team. Can This Show Really Go On? [8h]
- Sharon Stone on Helping Marc Maron Channel His Grief Over Lynn Shelton With ‘In Memoriam’ and Why Joe Eszterhas’ ‘Basic Instinct’ Reboot Is a Bad Idea [8h]
- Casting Society Adds Video Game Membership Category (EXCLUSIVE) [8h]
- Netflix’s ‘Michael Jackson: The Verdict’ Docuseries Puts the Singer and the Public on Trial: TV Review [8h]
- ‘The Odyssey’ Sets 3-Week 70mm Run at Westwood’s Village Theatre [8h]
- Sara Bareilles Announces First Studio Album in Seven Years, ‘Good Grief,’ to Be Followed by Fall Tour [8h]
- ‘Boomah,’ Gritty New Feature From ‘Daughters of Abdulrahman’ Director Zaid Abu Hamdan, Set For Shanghai Film Festival Bow [9h]
- Sam Reich on ‘Game Changer’ Emmy Chances, Abby Lee Miller’s Surprise Dropout Fandom and Animated ‘Dimension 20’ Plans [9h]
- ‘Bicycle Thief,’ Iroller Media’s Indian Drama, Lands European and U.S. Distribution With Norse Key Productions (EXCLUSIVE) [9h]
- Disney Moves Some Super Bowl Commercials at $8 Million Amid Advertiser Squabbles (EXCLUSIVE) [9h]
- TV Networks Hope Sports Catch Upfront Ad Dollars as Madison Avenue Cuts Budgets (EXCLUSIVE) [10h]
- How Ken Burns and David Schmidt’s ‘The American Revolution’ Documentary Lends a Voice to the Underrepresented and Took 10 Years to Make [10h]
- ‘American Horror Story’ Star Emma Roberts Signs With UTA [10h]
- Netflix Orders Big Box Store Animated Comedy Series ‘Dealies’ (EXCLUSIVE) [10h]
- Snap Taps Anmol Malhotra as New Global Head of Content and Partnerships [10h]
- Sony’s Santa Monica Studio Announces ‘God of War Laufey’ (Gaming News Roundup) [10h]
- ‘Backrooms’ Crosses $100 Million in 6 Days to Become A24’s Biggest Movie at Domestic Box Office [10h]
- ‘Tulsa King’ Eyes Move to New York as Season 5 Writers’ Room Opens [10h]
- Kore-eda’s ‘Sheep in the Box,’ Hirose Suzu Lead Japan Cuts 2026 Lineup (EXCLUSIVE) [10h]
- AGBO Expands Leadership Team With New Hires From Apple, Snap and Gaming World (EXCLUSIVE) [10h]
- AI Music Company Suno Raises $400 Million at $5.4 Billion Valuation [11h]
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