The Brutalist Report - culture

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Rebecca Ferguson Did Not Name the ‘Idiot’ Actor Who Screamed at Her and Made Her Cry on Set Because Telling That Story ‘Wasn’t About the Person. It Was About Me’ [3d]
‘Solo Mio’ Review: Kevin James Is Ripe for Romance in Rome [3d]
‘Starfleet Academy’ Brings Back ‘Deep Space Nine’ Star as SAM Grapples With Enduring ‘Star Trek’ Mystery [3d]
Jeremy Strong to Star in Jonathan Franzen Series ‘Crossroads’ for Netflix, Media Res (EXCLUSIVE) [3d]
Lucy Liu Peacock Series ‘Superfakes’ Sets Jim McKay, Karena Evans, Andrij Parekh to Direct (EXCLUSIVE) [3d]
Woody Allen and Soon-Yi Previn’s Emails to Jeffrey Epstein Unearth College Admissions Boost, #MeToo Criticism and a Timothée Chalamet Diss [3d]
LISTEN: ‘Love Story’ Revisits JFK Jr., Carolyn Bessette and the Kennedy Mystique; Top D&D Game Masters Meet [3d]
‘Moulin Rouge! The Musical’ to Close on Broadway After Seven Years [3d]
Jamie Lee Curtis Slams ICE as an ‘Abhorrence’ and Says It’s Being Used as a ‘Distraction So That We Don’t Pay Attention to the Epstein Files’ [3d]
Savannah Guthrie’s Mom’s Disappearance Has Rocked ‘Today’ — and Strained Morning TV’s Image of a Joyful Family [3d]
Lionsgate Losses Widen to $46.2 Million, but ‘The Housemaid,’ ‘Now You See Me 3’ Help Revive Studio’s Movie Business [3d]
Javier Bardem and Kate Hudson Teaming for Rom-Com ‘Hello & Paris’ From Writer-Director Elizabeth Chomko and ‘Brooklyn’ Producer Finola Dwyer [3d]
Lionsgate Hires First Chief AI Officer [3d]
Amazon Powers Up Record Q4 Sales, Forecasts $200 Billion in 2026 Capex [3d]
FBI Arrests ‘Imposter’ Who Tried to ‘Profit’ Off Nancy Guthrie’s Disappearance With Fake ‘Ransom Demand’ [3d]

The New Yorker

TV Review: “Riot Women,” Streaming on BritBox [3d]

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