The Brutalist Report

Charli XCX Calls Out Fans Chanting ‘Taylor Swift Is Dead’ At Her Shows: ‘Please Stop’ [417d]
Ken Burns Gives Nantucket Film Festival Audiences a Glimpse of His Latest Doc ‘Leonardo da Vinci’ [417d]
Daryl Hall and Elvis Costello Make Double-Feature Dreams Come True at the Greek: Concert Review [417d]
Travis Kelce Joins Taylor Swift on Stage for Surprise ‘Eras Tour’ Appearance and Literally Sweeps Her Off Her Feet [417d]
Jerry Seinfeld Shuts Down More Pro-Palestine Hecklers During Set in Australia: You ‘Just Gave More Money to a Jew’ [417d]
Foo Fighters’ Dave Grohl Seemingly Mocks Taylor Swift at Band’s London Concert: ‘We Actually Play Live’ [417d]
‘Inside Out 2’ Surpasses ‘Dune 2’ as Highest-Grossing Movie of Year With $724 Million Globally [417d]
Taylor Swift Super-Collectors: Meet the Fans Buying Every ‘Tortured Poets Department’ Edition, No Matter the Cost [418d]
Box Office: ‘Inside Out 2’ Scores $100 Million in Sensational Second Weekend [418d]
Krysten Ritter Is Sharp, but ‘Orphan Black: Echoes’ Lacks the Audacity of the Original: TV Review [418d]
Hugh Grant Praises Taylor Swift’s ‘Incredible’ Eras Tour and ‘Excellent if Gigantic Boyfriend’ Travis Kelce: ‘Thanks So Much From One Ageing London Boy’ [418d]
Mediterrane Film Festival Opens Second Edition With ‘The Count of Monte Cristo’ and a Focus on Uniting Mediterranean Nations [418d]
Saoirse Ronan Wins Biarritz Nouvelles Vagues Festival Acting Honors For ‘The Outrun,’ ‘Girls Will Be Girls’ Wins Grand Prize [418d]
‘The Divorce’ Wins Shanghai Golden Goblet Best Film Prize [418d]

The New Yorker

“Vincent’s Party,” by Tessa Hadley [418d]
Diane von Furstenberg Will See You Now [418d]
Tessa Hadley on Channelling Postwar Britain [418d]
What Can We Expect from the Biden-Trump Debate? [418d]
Tessa Hadley Reads “Vincent’s Party” [418d]

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