The Brutalist Report - culture
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- Bad Bunny Brings Puerto Rico to Los Angeles’ SoFi Stadium With Surprise Guest Ivy Queen: Concert Review [955d]
- ‘Sisu’ Review: The Road Runner Versus Nazis [955d]
- T Bone Burnett’s NYC Tribute to Bob Dylan, With Sara Bareilles and Oscar Isaac Among the Cast, Is Worthy of a Bard: Concert Review [955d]
- Oscar-Winning Composer Rachel Portman on Sound of Antoine Fuqua’s ‘King Shaka’ [955d]
- Tennessee High Court Vacates Ruling to Require Police to Publicly Release Naomi Judd’s Death Investigation [955d]
- ‘The Kings of the World,’ ‘Stuntwomen’ Triumph at Zurich Film Festival [955d]
- ‘Bones and All’ Helmer Luca Guadagnino Slams the ‘Silliness’ of Armie Hammer Insinuations [955d]
- Composer Marc Shaiman Explains How ‘Sleepless in Seattle’ Influenced ‘Bros’ Movie Score [955d]
- ‘White Noise’ Director Noah Baumbach Says He Never Saw Don DeLillo’s Novel as ‘Unfilmable’ at New York Film Festival’s Opening Night [955d]
- Danielle Deadwyler Gives an Oscar-Worthy Performance in ‘Till,’ But Will Enough Voters Watch the Film? [955d]
- How ‘Hocus Pocus 2’ Used Folklore, Spiders and Snakes to Update Witchy Looks From the Original [955d]
- Brad Pitt’s ‘Bullet Train’ Hits $100 Million at Domestic Box Office [955d]
- ‘Cinema Has a Fascination With Sexist Violence’: Why Stuntwomen Are Often Cast as Victims [955d]
- Box Office: ‘Smile’ Chomping Into $19 Million, Billy Eichner’s ‘Bros’ Debuting at No. 4 [955d]
- Charlotte Gainsbourg Explains Lure of ‘The Almond and the Seahorse,’ Learning From Lars von Trier, Shooting Doc About Mother Jane Birkin [955d]
- Disney Networks Including ESPN, ABC Go Dark on Dish and Sling TV Amid Carriage Dispute [955d]
- Hollywood COVID Protocols Extended as Talks With Studios Continue [955d]
- Ashley McBryde Takes a Plucky, Funny Detour With Concept Album ‘Lindeville,’ Where a Small Town Meets a Big Country Music Cast [955d]
- “Echo 3” Gets First Look and November Premiere Date (TV News Roundup) [955d]
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