The Brutalist Report - variety
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- ‘Sheep in the Box’ Review: Kore-eda’s Sweet but Limp Sci-Fi Fable About a 7-Year-Old AI Humanoid [28d]
- ‘Hope’ Unleashes a Bats— Crazy Korean Monster Movie on Cannes and Earns 6-Minute Standing Ovation [28d]
- ‘Hope’ Review: Na Hong-jin’s Overlong Creature Feature is a Guns-Blazing Riot of Bawdy Humor, Bad CGI and Brilliant Action [28d]
- ACM Awards Producers on What to Expect Sunday Night: Shania’s First Country Hosting Gig, Show’s Return to Vegas, 17 Performances in 2½ Hours and Meeting the Ella Langley Moment [28d]
- ‘A Girl’s Story’ Review: Judith Godrèche’s Assured Feature Debut Tells a Bitter Tale of Sexual Initiation in 1950s France [28d]
- Annette Bening on Going Head-to-Head With Beth and Rip on ‘Dutton Ranch,’ Perfecting That Accent and Wardrobe, and Bringing ‘Vulnerability and Desperation’ to Beulah [28d]
- ‘Another Day’ Review: Adèle Exarchopoulos Gives an Understated and Deeply Lived-In Performance in Jeanne Herry’s Graceful Alcoholism Drama [28d]
- ACMs 2026 Livestream: How to Watch the Country Music Awards Show Online for Free [28d]
- Barbra Streisand Unable to Attend Cannes Closing Ceremony to Accept Honorary Palme d’Or After Knee Injury [28d]
- Ryan Gosling Was Fired From ‘Lovely Bones’ After Gaining 60 Pounds. Peter Jackson Now Speaks Out: ‘Anytime We Recast an Actor, It’s Actually Our Fault’ [28d]
- The Oscars’ New Inclusion Rules Wouldn’t Disqualify Any Best Picture Nominee in History. So Why Is Elon Musk Melting Down Over ‘The Odyssey’? [28d]
- ‘Laalo’ Producers Soul Sutra Unveil 12-Film Gujarati Slate at Cannes Film Market, Eye Global Co-Productions (EXCLUSIVE) [28d]
- Happy 60th Birthday, ‘Pet Sounds’: Beach Boys Mike Love, Al Jardine and Bruce Johnston Recall the Making and Aftermath of One of Rock’s Greatest Albums [28d]
- French Tech Entrepreneur Adrien Nussenbaum Launches Palatio Films With Daniel Auteuil’s Cannes Movie ‘When Night Falls’ [28d]
- ‘Michael’ Surpasses $700 Million Globally, ‘Devil Wears Prada 2’ Nears $550 Million Milestone [28d]
- Daniel Hong Thriller ‘Dead End’ Lands at EST N8 for Cannes Film Market Launch (EXCLUSIVE) [28d]
- Blood, Blasphemy and Boning: Ken Russell’s ‘The Devils’ Turns 55, and It’s Still the Freshest, Wildest Film at Cannes [28d]
- Five Wild Cannes Market Projects: From Boy-Love Horror-Romance ‘Paint You on My Bed Sheet’ to ‘Deathgasm II Goremageddon’ [28d]
- Cate Blanchett and Selena Gomez Set to Star in Brady Corbet’s New ‘X-Rated’ Epic [28d]
- Inside Netflix’s ‘Call My Agent The Movie’: George Clooney Cameo, Cannes Shoot and Andrea’s Big Comeback (EXCLUSIVE) [28d]
- ‘Moulin’ Review: László Nemes Directs a Narratively Flat, Visually Arresting Spy Drama [28d]
- Box Office: ‘Michael’ Returns to No. 1 in Fourth Weekend, ‘Obsession’ Starts Strong With $16 Million [29d]
- Cate Blanchett Says #MeToo ‘Got Killed Very Quickly’ and She’s Still on Movie Sets Where There’s ’10 Women and 75 Men’: ‘It Just Gets Boring’ [29d]
- Edinburgh Film Festival Director on 2026 Edition, Continuing ‘Expansion’ in Third Year Since Relaunch and Building a ‘Home for Independent Cinema’ [29d]
- Mel Brooks to Donate His Expansive Career Archive to National Comedy Center in New York [29d]
- Director Laila Marrakchi on Female-Driven Migrant Drama Strawberries in Cannes:’These Women Are So Strong, So Capable, So Courageous’ [29d]
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