The Brutalist Report

Variety

• Why Amy Madigan’s ‘Weapons’ Oscar Win Is So Inspiring — for Fans and for Hollywood [37d]
• ‘Sinners’ Stars Recreate the ‘Pierce the Veil’ Sequence With Stunning Oscar Performance of ‘I Lied to You’ [37d]
• Zhang Ziyi on ‘Crouching Tiger,’ ‘The Grandmaster’ and Twenty Years of Making Impossible Roles at Asian Film Awards Masterclass [37d]
• ‘KPop Demon Hunters’ Wins Oscar for Best Animated Film: ‘This Is for Korea and Koreans Everywhere’ [37d]
• Oscars 2026 Executive Arrivals: Hollywood Honchos Assemble [37d]
• ‘Weapons’ Star Amy Madigan Wins Oscar for Best Supporting Actress and Bursts Into Witchy Cackle [37d]
• Conan O’Brien Starts Oscars by Roasting Timothée Chalamet’s Ballet and Opera Controversy as Camera Cuts to ‘Marty Supreme’ Star Laughing [37d]
• Zhang Ziyi, Liu Haoran, Terrance Lau Receive Special Honors at Hong Kong’s Asian Film Awards [37d]
• Odessa A’Zion Bombed Disney Audition for ‘The Little Mermaid’ Live-Action Movie: ‘I Was So Nervous I Forgot the Lyrics’ [37d]
• ‘Whispers in May’ Review: A Poetic Portrait of Adolescence Caught Between Joy and Duty [37d]
• Ricky Gervais Rejects Fan Request to Host Oscars: ‘F— That!’ [37d]
• Lisa Kudrow and ‘The Comeback’ Satirize AI at SXSW’s Season 3 Premiere: ‘Everybody Is Panicked and Desperate’ [37d]
• ‘The Cord’ Review: A Real Hero for Our Times in Nolwenn Hervé’s Compassionate Portrait [37d]
• ‘Marty Supreme’ Star Kevin O’Leary Defends Timothée Chalamet Amid Ballet and Opera Controversy: ‘He Took a Bum Rap on That’ [37d]
• Hudson Williams Teases One Word for ‘Heated Rivalry’ Season 2 at the Oscars: ‘Sex’ [37d]
• ‘The Saviors’ Review: A Passable But Timely Genre Mystery Rooted In Islamophobic Fears [37d]
• ‘Power Ballad’ Review: Paul Rudd and Nick Jonas Rule in John Carney’s Most Winning Pop-Music Drama Since ‘Once’ [37d]