The Brutalist Report - variety
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- Why Amy Madigan’s ‘Weapons’ Oscar Win Is So Inspiring — for Fans and for Hollywood [34d]
- ‘Sinners’ Stars Recreate the ‘Pierce the Veil’ Sequence With Stunning Oscar Performance of ‘I Lied to You’ [34d]
- Zhang Ziyi on ‘Crouching Tiger,’ ‘The Grandmaster’ and Twenty Years of Making Impossible Roles at Asian Film Awards Masterclass [34d]
- ‘KPop Demon Hunters’ Wins Oscar for Best Animated Film: ‘This Is for Korea and Koreans Everywhere’ [34d]
- Oscars 2026 Executive Arrivals: Hollywood Honchos Assemble [34d]
- ‘Weapons’ Star Amy Madigan Wins Oscar for Best Supporting Actress and Bursts Into Witchy Cackle [34d]
- Conan O’Brien Starts Oscars by Roasting Timothée Chalamet’s Ballet and Opera Controversy as Camera Cuts to ‘Marty Supreme’ Star Laughing [34d]
- Zhang Ziyi, Liu Haoran, Terrance Lau Receive Special Honors at Hong Kong’s Asian Film Awards [34d]
- Odessa A’Zion Bombed Disney Audition for ‘The Little Mermaid’ Live-Action Movie: ‘I Was So Nervous I Forgot the Lyrics’ [34d]
- ‘Whispers in May’ Review: A Poetic Portrait of Adolescence Caught Between Joy and Duty [34d]
- Ricky Gervais Rejects Fan Request to Host Oscars: ‘F— That!’ [34d]
- Lisa Kudrow and ‘The Comeback’ Satirize AI at SXSW’s Season 3 Premiere: ‘Everybody Is Panicked and Desperate’ [34d]
- ‘The Cord’ Review: A Real Hero for Our Times in Nolwenn Hervé’s Compassionate Portrait [34d]
- ‘Marty Supreme’ Star Kevin O’Leary Defends Timothée Chalamet Amid Ballet and Opera Controversy: ‘He Took a Bum Rap on That’ [34d]
- Hudson Williams Teases One Word for ‘Heated Rivalry’ Season 2 at the Oscars: ‘Sex’ [34d]
- ‘The Saviors’ Review: A Passable But Timely Genre Mystery Rooted In Islamophobic Fears [34d]
- ‘Power Ballad’ Review: Paul Rudd and Nick Jonas Rule in John Carney’s Most Winning Pop-Music Drama Since ‘Once’ [34d]
- ‘Big Girls Don’t Cry’ Review: A Gentle, Rigorous Queer Coming-of-Age Story [34d]
- ‘We Are the Shaggs’ SXSW Film Review: The World’s Most Polarizing Band Gets Its Due in Ken Kwapis’ Sweet Salute to Outsider Rock [34d]
- 2026 Oscars Red Carpet: Best Fashion and Looks [34d]
- ‘Buffy’ Reboot Star Ryan Kiera Armstrong Thanks Fans After Hulu Axes Show: ‘I’m Sad You Guys Won’t Be Able to See It’ [34d]
- Peacock to Launch AI-Powered Andy Cohen Avatar to Guide Viewers Through ‘Bravo-verse’ Library [34d]
- ‘The Oligarch and the Art Dealer’ Directors on the Billion-Dollar Feud Exposing the Hidden Art Market: ‘Better Than Gold and Diamonds’ [34d]
- Judy Pace, Pioneering Actress and Model Known for ‘Peyton Place,’ ‘Brian’s Song’ and ‘The Young Lawyers,’ Dies at 83 [34d]
- Harry Styles’ ‘Kiss All the Time. Disco, Occasionally.’ Becomes His Fourth Consecutive Album to Debut at No. 1 on the Charts [34d]
- ‘Closure,’ About a Father’s Obsessive Search for His Missing Son, Wins the Golden Alexander at Thessaloniki Documentary Festival [34d]
- ‘Phenomena’ Review: An Iridescent Ode to Ordinary Wonders [34d]
- Oscar Winners 2026 (Updating Live) [34d]
- Artists4Ceasefire Unveils New Pins Designed by Shepard Fairey Ahead of Oscars (EXCLUSIVE) [34d]
- Adrian Grenier Says ‘It’s a Disappointment’ Not to Be Cast in ‘The Devil Wears Prada 2’: ‘I Also Understand There’s Some Backlash With Nate’ [34d]
- Box Office: ‘Scream 7’ Becomes Franchise’s Highest-Grossing Release With $176 Million, ‘Hamnet’ Surpasses $100 Million Milestone [34d]
- How to Watch the 2026 Oscars Ceremony Live Online [34d]
- ‘Family Movie’ Review: Kevin Bacon and Kyra Sedgwick Get Their Kids Into a Bloody Good Time [34d]
- Nathan Filion Reveals ‘Firefly’ Revival Being Developed as an Animated Series [34d]
- Box Office: Colleen Hoover’s ‘Reminders of Him’ Impresses With $18 Million, ‘The Bride!’ Craters By 70% as ‘Hoppers’ Remains No. 1 [34d]
- With SXSW Debuts ‘The Saviors’ and ‘Wishful Thinking,’ Newcomer Highway 10 Showcases Its Moviemaking Ambitions [34d]
- ‘Whispers in May’ Director on Coming-of-Age Roadtrip Set in Rugged Region of China: ‘It’s Not Just About Beauty; Those Mountains Carry Weight’ [34d]
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