The Brutalist Report - variety
- Lady Gaga Shows Support for Alix Earle on ‘Dancing With the Stars’: ‘I’m Rooting for You’ and ‘I Love You’ [25d]
- How the Acrisure Arena Became an Unlikely Desert Oasis for Music Fans From Around California… and a Favorite Kickoff Point for Some Major Tours [25d]
- Choreographer Parris Goebel on Working With Lady Gaga on the Mayhem Ball Tour, Collaborating on That Dress for ‘Abracadabra’ and Using Kitty Litter in the Grave Box [25d]
- Taylor Swift Fans Rally to Support Food Banks as SNAP Benefit Cuts Loom [25d]
- ‘The Witcher’ Boss Explains Ciri’s Queer Love Interest in Season 4, ‘Pushing’ Netflix for That Jaskier Musical and Gearing Up to Kill More Characters in Final Season: ‘The Body Count Keeps Growing’ [25d]
- Donald Trump Returns to ’60 Minutes’ for First Interview After Suing CBS News [25d]
- CNN Election Night Surprise: Streaming-Only Live-Cast With Harry Enten, Charlamagne tha God, Ben Shapiro [25d]
- How TikTok Became the Entertainment Industry’s Most Unpredictable Trendsetter [25d]
- Emily Blunt Teases ‘The Devil Wears Prada 2’ and Why She Never Saw ‘The Rock’ While Filming ‘The Smashing Machine’ [25d]
- Woody Harrelson Says ‘No Chance’ of ‘True Detective’ Return With Matthew McConaughey: ‘Never… Doing Another Season Would Tarnish’ the Original [25d]
- Neon Tests the Academy’s Appetite for Subtitled Cinema With Five Ambitious Oscar Campaigns — Will It Work? [25d]
- Jessie Buckley on Why ‘Hamnet’ Isn’t ‘Grief Porn’ and How She and Paul Mescal Channel Gena Rowlands and John Cassavetes [25d]
- Tramell Tillman Plays Coy About ‘Spider-Man’ Role: ‘Who Says I’m Playing a Villain?’ [25d]
- Daisy Edgar-Jones and Emilia Jones to Star in ‘Bad Bridgets’ From ‘Kneecap’ Director Rich Peppiatt, FilmNation and LuckyChap (EXCLUSIVE) [25d]
- ‘Selling Sunset’ Star Chrishell Stause Unpacks Nicole’s ‘Unforgivable’ Comment About Her Parents, Ending Her Friendship With Emma and Why She Feels ‘Done’ With the Show [25d]
- How to Watch ‘Halloween Night: John Carpenter Live From Los Angeles’ Online [25d]
- How to Watch the 2025 NBA Cup Live Online [25d]
- Dropout CEO on Launching Higher-Priced ‘Superfan’ Tier as Streamer Crosses 1 Million Subscribers (EXCLUSIVE) [25d]
- Rafael Cobos, a Canneseries Winner, World Premieres His Feature Debut ‘Golpes,’ Capturing a Spain ‘Unable to Settle Its Score With the Past’ [25d]
- ‘Violent Ends’: How a Southern Thriller Without ‘Redneck Yokel Stereotypes’ Depicts the ‘Cyclical Nature of Violence’ Through a Bloody Family Feud [25d]
- Filmmakers Experiment With Adobe Firefly’s AI Platform to Craft Short Films: ‘Every Tool Has Its Superpower’ [25d]
- Variety’s ‘A Night in the Writers’ Room: Awards Season Edition’ Returns for 2025 [25d]
- Rebecca Knox, Marta Pozzan, Kaley Ronayne and Jessica Sula to Star in Horror Film ‘White Sands’ (EXCLUSIVE) [25d]
- ‘Don’t Date Brandon’: His Former Wives Explain Why They Will Do Anything to Warn Women About Their Dangerous Conman Ex-Husband [25d]
- Brandi Carlile Offers a Track-by-Track Look at ‘Returning to Myself’ Album, From Lauding ‘Joni’ to the Explosive ‘Church & State’ [25d]
- Mark Hamill Accepts Gregory Peck Award at San Diego Film Festival: ‘There Are So Many People Who Helped Me Get to Where I Am Today’ [25d]
- ‘American Horror Story’ Season 13 Cast: Ariana Grande Joins Jessica Lange, Evan Peters, Sarah Paulson and More Franchise Regulars [25d]
- ‘Dancing With the Stars’ Ratings Hit Season High With ‘Halloween Night’ (EXCLUSIVE) [25d]
- Sling Unveils New Offers for Streaming Customers, As ESPN Departs From YouTube TV [25d]
- Disney Senior Execs on YouTube TV Blackout: Google Is ‘Not Interested in Achieving a Fair Deal With Us’ [25d]
- Ryan Coogler, Tessa Thompson, Octavia Spencer and Daniel Kaluuya Among Presenters for Michael B. Jordan’s American Cinematheque Tribute [25d]
- ‘Beatles’ Biopics Officially Land Saoirse Ronan, Anna Sawai, Aimee Lou Wood and Mia McKenna-Bruce as Fab Four Spouses [25d]
- Boo! Academy Museum Sets Immersive Horror Exhibition for 2026 [25d]
- Arcade Fire’s Win Butler and Régine Chassagne Announce Separation After 22 Years [25d]
- ‘Ridiculousness’ Canceled at MTV After 46 Seasons [25d]
- Robert Englund on the Enduring Appeal of Freddy Kruger: ‘An Unrepentant, Politically Incorrect Villain With a Dose of Personality’ [25d]
- Duffer Brothers and ‘Stranger Things’ Cast Spend Halloween Reflecting on Final Season at Italy’s Lucca Comics: ‘We Always Knew What the Last 40 Minutes Were Going to Be’ [25d]
- Morgan Neville’s ‘Roadrunner,’ Tilly Norwood Company Particle 6 Slammed for Use of AI [25d]
- ‘Is This Thing On’ Submits in Drama Categories at Golden Globes as Will Arnett and Laura Dern Seek Lead Acting Consideration (EXCLUSIVE) [25d]
- Focus Features Chairman Peter Kujawski to Keynote at Variety’s Business Managers Breakfast [25d]
- Harrison Ford Blasts Donald Trump Over Attacks on Climate Change: ‘I Don’t Know of a Greater Criminal in History’ and ‘It Scares the S— Out of Me’ [25d]
- ‘Kika’ Review: A Quietly Radical Sex-Work Drama Turns Survival Into Subversive Self-Reinvention [25d]
- Netflix ‘Actively Exploring’ Warner Bros. Discovery Bid, Hires Bank to Put Together M&A Offer (Report) [25d]
- How Barcelona’s Serielizados Grew From a University Project to One of Spain’s Most Important TV Festivals, and Its Ever Greater International Edge (EXCLUSIVE) [25d]
- Woody Allen Looks to Make Next Film in Madrid After Securing Regional Financing [25d]
- ‘Writing Life’ Director Claire Simon on Trusting Young People and Why Nobel Literature Prize Winner Annie Ernaux ‘Is Just Like George Clooney’ [25d]
- ‘It Would Be Night in Caracas’ Review: A Gripping Thriller Sees Venezuela’s Violent Recent Past Echo Into Our Violent Present [25d]
- Spooky Animation ‘Monster Mia’ Casts Spell on Distributors as Halloween 2026 Release Eyed (EXCLUSIVE) [25d]
- Artist Segues From Stripping to Boxing to Battling Demons in ‘Everything Works Out (in the End)’ [26d]
- Sanjay Leela Bhansali’s ‘Love & War,’ Starring Ranbir Kapoor, Alia Bhatt and Vicky Kaushal, Locks 2026 Release Date (EXCLUSIVE) [26d]
- How ‘Power Station’ Filmmakers Camped Out on Their Rooftop in Winter to Raise Funds for Solar Panels for Their Neighborhood [26d]
- Kamila Andini’s ‘Four Seasons in Java’ Wins Big at Inaugural Tokyo Gap-Financing Market Awards [26d]
- ‘Blood & Sweat’ Examines Japan–Finland Co-Production Realities at Tokyo Market [26d]
- Sony-Backed Jabali.ai Bows AI Game Development Platform to Democratize Creation [26d]
- Indonesian Zombie Horror ‘The Elixir’ Tops Netflix’s Global Non-English Film Chart [26d]
- ‘The Captive’ Review: ‘Don Quixote’s’ Author Becomes the Hero in a Handsome Historical Fiction [26d]
- ‘I Am Frankelda’ Review: Mexico’s First Stop-Motion Feature Is an Ambitious Gothic Musical [26d]
- YouTube TV Drops Disney’s ABC, ESPN and Other Networks After Two Sides Fail to Reach New Deal [26d]
- Yamada Yoji and Lee Sang-il Trade Insights on Art, Rivalry and Japan’s Film Future at Tokyo Festival [26d]
- ‘Take Off’ Director Pengfei on Tokyo Competition Entry: ‘A Fable-Like Story, With a Touch of Fairy Tale’ [26d]
- ‘Little Bear Ridge Road’ Review: Laurie Metcalf Shines in a Flawed but Fascinating COVID Story [26d]
- Pen-ek Ratanaruang Talks Casting, ‘Last Life In The Universe’ and Miike Takashi’s ‘Punch Perm’ [26d]
- Claire Danes, Ewan McGregor to Lead ‘The Spot’ at Hulu [26d]
- Sony Pictures International Eyes Live-Action Adaptations of Japanese Anime – Tokyo Market [26d]
- ‘9-1-1’ Star Aisha Hinds on Hen and Athena’s Interstellar Fate and What Comes After the Four-Episode Space Epic [26d]
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