The Brutalist Report

Variety

• Vicky Krieps on Being ‘Scared’ to Play Real-Life Nazi in ‘Monster: The Ed Gein Story’ After Grandfather Was in Concentration Camp [154d]
• Awards Season Calendar 2025-2026: Key Dates for the Oscars, Golden Globes, SAG, DGA and More [154d]
• ‘Taylor Swift: The Official Release Party of a Showgirl’ Review: Taylor Swift Introduces the 12 Tracks From ‘The Life of a Showgirl.’ But Only One of Them Is Great [154d]
• Paula Abdul to Be Honored at World Choreography Awards [154d]
• The True American Horror Story Behind Netflix’s ‘Monster: The Ed Gein Story’ [154d]
• ‘Bone Lake’ Director on the Joys of Making an Erotic Thriller and Not Worrying About Prude Audiences: ‘This Movie Doesn’t Shy Away From Sex’ [154d]
• Tonatiuh on ‘Kiss of the Spider Woman’ and How He Wants Hollywood to See Him: ‘I’m Not a Latin Actor. I’m a Great Actor’ [154d]
• How Hours of Unedited ‘To Catch a Predator’ Footage Shaped ‘Predators,’ a Doc That Connects Chris Hansen to America’s True Crime Addiction [154d]
• Nine Inch Nails’ ‘Future Ruins’ Film-Music Festival Canceled [154d]
• Taylor Swift Breaks Her Own Spotify Record for Most Streams in a Single Day With ‘The Fate of Ophelia’ [154d]
• 26 Best Movies New to Streaming in October: ‘Jurassic World Rebirth,’ ‘How to Train Your Dragon,’ ‘The Naked Gun’ and More [154d]
• Jason Bateman Directing Tom Holland in John Grisham Thriller ‘The Partner’ [154d]
• ‘The Road Between Us’ Director Barry Avrich on His Oct. 7 Doc: ‘I Don’t Characterize the Film as Political’ [154d]
• Pop Band LANY Celebrates Upcoming Album ‘Soft’ With Luxe Lola Blankets Collab [154d]