The Brutalist Report

Variety

• ‘The Handmaid’s Tale’ Emmy Plans: Elisabeth Moss’ Surprise Directing Episode Choice, Alexis Bledel Goes for Guest Actress Despite New Rules (EXCLUSIVE) [292d]
• Robin Williams’ ‘Popeye’ Had the ‘Most Coked-Up Film Set’ and ‘Everyone Was Stoned,’ Says Former Studio Boss: ‘They Were Shipping’ Cocaine in Film Canisters [292d]
• Vertical Acquires ‘Found Footage: The Making of the Patterson Project’ Horror Mockumentary – Film News in Brief [292d]
• Trump Pardons Reality Stars Todd and Julie Chrisley Following Tax Evasion and Bank Fraud Convictions [292d]
• Why Pulitzer Winner ‘Purpose’ Had Its Tony-Nominated Cast ‘Sh—ing Bricks’ [292d]
• Michelle Williams on Returning to Broadway With ‘Death Becomes Her,’ Her Tony Snub and Beyoncé’s Backstage Visit [292d]
• Elisabeth Moss on Saying Goodbye to ‘Handmaid’s Tale’ (for Now), How Motherhood Changed Her Approach to June and That Perfect Ending: ‘Television Gold’ [292d]
• ‘Mama’ Review: A Housemaid Abroad Gets an Unpleasant Homecoming in an Intriguing Character Study That Veers Into Melodrama [292d]
• Nick Kroll Opens Up About Orchestrating John Mulaney’s Drug Intervention in 2020: ‘I Was So Deeply Scared He Was Gonna Die’ [292d]
• Music Industry Moves: J-Pop Band One Or Eight Partners With Atlantic and Avex Music Groups [292d]
• Lindsay Lohan Says ‘I Can’t Do’ Netflix Movies ‘Forever’ and ‘Now We Need to Be Thinking About Other Stuff’ [292d]
• Producer Elaine Goldsmith-Thomas’ Debut Novel Pulls Back the Curtain on Agents and Ambition, With Some Help From J. Lo and Nora Ephron [292d]
• ‘The Art of the Boy and the Heron’ Is Out Now: Here’s Where to Buy Hayao Miyazaki’s New Art Book [292d]
• AMC Networks Promotes Olivia Dupuis to Head of Publicity and Talent Relations [292d]
• ‘Running Point’ Costume Designer on Kate Hudson’s Power Suits: ‘Why Not Have Her Femininity Be Her Superpower?’ [292d]
• 2025 Made in NY Awards to Honor Darren Aronofsky, Michelle Buteau, Tracy Morgan and Thomas J. O’Donnell (EXCLUSIVE) [292d]