The Brutalist Report - variety
- Catherine O’Hara on Her Scene-Stealing ‘The Last of Us’ Character, Why Pedro Pascal Is Like Meryl Streep and Catching COVID While Making ‘The Studio’ [103d]
- ‘Death Becomes Her’ Costume Designer Paul Tazewell Leaned Into Old Theater Magic for Helen’s Hole-in-the-Stomach Moment and Other Iconic Looks From the Original Film [103d]
- ‘Alpha’ Review: A Potentially Infected Tattoo Sparks a Tortured AIDS Allegory in Julia Ducournau’s Rotten Follow-up to ‘Titane’ [103d]
- ‘My Father’s Shadow’ Review: Nigeria’s First Ever Cannes Selection Marks a Miraculous Gem of Autofiction [103d]
- 10 Emmy Rule Changes the TV Academy Should Consider, From Streamlining Acting Categories to Creating ‘Episode of the Year’ [103d]
- William H. Macy, Ben Wang Wrap Will Ropp’s Teen Comedy “Brian” (EXCLUSIVE) [103d]
- How Broadway’s ‘Sunset Blvd’ Pulled Off Opening Credits and Car Chase Sequence [103d]
- Ex-Foo Fighters Drummer Josh Freese Lists 10 Hilarious Reasons Why He Got Fired [103d]
- Cruel World Glories in the Gloom With Damp but Historic Sets From Til Tuesday, the Go-Go’s, Nick Cave and More [103d]
- How ‘The Last of Us’ Recreated the Game’s Iconic Museum and Built a Space Capsule for Joel and Ellie [103d]
- Ryan Murphy and Kaia Gerber Developing FX Series Based on Bret Easton Ellis Novel ‘The Shards’ [103d]
- Rihanna Stuns Cannes Red Carpet in the Rain to Support A$AP Rocky at ‘Highest 2 Lowest’ World Premiere [103d]
- Don’t Sleep on These 18 Series This Emmys Season: ‘The Last of Us,’ ‘Forever’ and More [103d]
- Denzel Washington, Spike Lee and A$AP Rocky (and Rihanna!) Stun Cannes as ‘Highest 2 Lowest’ Earns 5.5-Minute Ovation [103d]
- ‘Lego Masters’ Brings ‘Star Wars’ and Waterfall Challenges, a Time-Altering Twist and 4.5 Million Bricks to Season 5 [103d]
- ‘Maid’ Creator Molly Smith Metzler Takes on Class in America Once Again With ‘Sirens’ as She Renews Netflix Deal (EXCLUSIVE) [103d]
- Sleep Token Joins Hard Rock Resurgence as ‘Even in Arcadia’ Debuts at No. 1 on Albums Chart [103d]
- Denzel Washington Gets Surprise Honorary Palme d’Or at Cannes During Spike Lee’s ‘Highest 2 Lowest’ Premiere [103d]
- Diddy Trial: Dawn Richard Faces Tough Cross-Examination as Sean Combs’ Lawyer Reveals Inconsistencies in Her Testimony [103d]
- Topic Studios’ Ryan Heller Returns to Cannes with Open Marriage Comedy ‘Splitsville’ starring Dakota Johnson [103d]
- ‘Iyanu’ Renewed for Season 2 at Cartoon Network and HBO Max, Alongside Two New Feature Spin-Offs (EXCLUSIVE) [103d]
- Sam’s Club Has One of the Best Spring Sales We’ve Seen This Year: Save on Dyson Vacuums, Samsung TVs, Dolby Atmos Soundbars and More [103d]
- New York Music Month 2025 Announces Full Schedule [103d]
- FKA Twigs In Talks to Star as Josephine Baker in Studiocanal’s Biopic From ‘Cuties’ Director Maimouna Doucouré [103d]
- Saudi Arabia’s Cultural Development Fund Charts a New Path for Film Sector Financing [103d]
- Gary Lineker Exit Drama: BBC Star Expected to Depart Sooner Than Planned After Antisemitism Controversy [103d]
- Wes Anderson Powers Satyajit Ray’s ‘Aranyer Din Ratri’ Rescue for Cannes Classics [103d]
- Hong Kong Remake of Richard Linklater’s ‘Tape’ Secures U.K. Distribution, Sets Raindance Bow (EXCLUSIVE) [103d]
- BrLab Unveils New Dates, Co-Pro Forum and Regional Spread Ahead of 15th Anniversary Edition (EXCLUSIVE) [103d]
- Dakota Johnson Says Studio Bosses Don’t Take Risks and ‘It’s a Constant Fight,’ Recalls Being Shocked at Her Movie Premieres: ‘That Is Not What I Thought We Were Making’ [103d]
- Female Film Club Launches Global Short-Film Fund at Cannes (EXCLUSIVE) [103d]
- Richard Linklater on What He Told Tarantino at the ‘Nouvelle Vague’ Premiere and Why the Indie Film Revolution Faded: ‘Unless It’s Got Money All Over It, Nobody Gives a S—’ [103d]
- Tom Cruise’s ‘Mission: Impossible – The Final Reckoning’ Rockets to No. 1 at Korea Box Office [103d]
- New Jax Film Studios in Ryadh Unveiled at Cannes by Saudi Film Commission [103d]
- Eli Roth’s The Horror Section Inks Deal With Veronica Ferres’ Construction Film, Sets German-Language Remake of ‘Knock Knock’ (EXCLUSIVE) [103d]
- Boxing Drama ‘Heavyweight’ Opens Raindance, Art School Tale ‘The Academy’ Closes 33rd Edition [103d]
- Sundance-Winning ‘Cactus Pears’ Director Rohan Kanawade Signs With Cinetic Media (EXCLUSIVE) [103d]
- ‘The Last of Us’ Guest Star Joe Pantoliano on Filming That Heartbreaking Final Scene and Forgetting Pedro Pascal [104d]
- ‘The Last of Us’ Creator Neil Druckmann on Directing Pedro Pascal’s Last Episode, That Pearl Jam Song and Catherine O’Hara’s ‘Beautiful’ Improvisation [104d]
- ‘S.W.A.T.’ Lives: Shemar Moore to Star in Spinoff ‘S.W.A.T. Exiles,’ Ordered to Series by Sony With Showrunner Jason Ning [104d]
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