The Brutalist Report - variety

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Variety

Marilyn Monroe’s Brentwood House Declared a Landmark, Saving It From Demolition [726d]
‘Street Fighter’ Lands March 2026 Release From Sony [726d]
Jennifer Connelly and ‘Dark Matters’ Writers Answer Finale Questions, Talk Easter Eggs and a Potential Second Season [726d]
Comedy Central’s Website Removes 25 Years of Video Clips and Other Content [726d]
‘Kinds of Kindness’ Composer Jerskin Fendrix Delivered Four Hours of Unsettling Piano and Choir Music for Yorgos Lanthimos [726d]
Bill Cobbs, Actor in ‘The West Wing,’ ‘The Bodyguard,’ Dies at 90 [726d]
Marvel’s ‘Fantastic Four’ Is a 1960s Period Piece in New York City, Confirms Kevin Feige — But It’s Probably Not the NYC From Our World [726d]
Letitia Wright Says Black Panther Has ‘a Lot Coming Up’ in the Marvel Cinematic Universe: ‘Let’s Just Say … I Would Like to Continue With Shuri’ [726d]
NBA Draft 2024 Livestream: How To Watch the Player Selection Event Online [726d]
Netflix’s ‘Supacell’ Is a Bold and Daring Drama About Black Superheroes: TV Review [726d]
Anaïs Lempereur Exits as CFO of Paramount’s Pluto TV to Join Hallmark Media [726d]
Manu Chao to Release First Album in 17 Years, ‘Viva Tu’ [726d]
‘The Constituent’ Review: James Corden Impresses in Timely but Contrived Political Play [726d]
Emma Roberts Says ‘Fame’ Isn’t ‘My Goal’ After Watching Aunt Julia Roberts and Nepo Baby Critics Are Harder on Women: ‘Why Is No One Calling Out George Clooney?’ [726d]