The Brutalist Report

Variety

• Alicia Vikander on Working With an Unrecognizable Jude Law in ‘Firebrand’ and Why It’s Taken 10 Years to Reunite on Screen With Husband Michael Fassbender in ‘Hope’ [733d]
• ‘Hamilton’ Star Renée Elise Goldsberry Weighs in on Struggling to Have It All in ‘Satisfied’ Documentary [733d]
• Queen Catalog to Be Acquired by Sony Music for £1 Billion [733d]
• ‘Jet Lag: The Game’ Team Breaks Down Season 10 Finale’s Airport Twist and the ‘Desert Power’ Effect [733d]
• How Long Can Taylor Swift Keep ‘Tortured Poets’ at No. 1? Here Are Six Records She Could Break [733d]
• Melissa Barrera’s Sundance London Winner ‘Your Monster’ Snapped Up for U.K., Ireland by Vertigo Releasing (EXCLUSIVE) [733d]
• How Amazon Studios’ Is Getting Bigger and Other Takeaways from Javiera Balmaceda’s Masterclass at Conecta Fiction [733d]
• Author Ignacio del Valle, Director Rai García Prep Spanish Crime Series ‘Black Suns,’ a ‘Thrilling Journey to the Dark Side’ [733d]
• Germany’s Pixable Studios Boards Take It Easy’s Portuguese TV Series ‘Finisterra’ (EXCLUSIVE) [733d]
• Jimmy Fallon and ‘Tonight Show’ Team Detail Wildest Set Designs and Which Guests Are Always Down — From Keegan Michael-Key to Cher [733d]
• Frameline Organizers Credit Film Fest for Furthering Queer Cinema [733d]