The Brutalist Report

Variety

• ‘The Last of Us Part II Remastered’ Director Matthew Gallant Unpacks No Return Mode and Lost Levels [895d]
• ‘Flight Attendant’ Not Returning for Season 3 at Max [895d]
• Riley Keough, Jesse Eisenberg Spent Two Hours Transforming Into Bigfoot With ‘Tons of Fur’ for Absurdist Sundance Movie ‘Sasquatch Sunset’ [895d]
• ‘Rust’ Armorer’s Attorney-Client Texts Mistakenly Given to Key Witness [895d]
• Green Day Previews New Album ‘Saviors’ at Intimate, Hit-Filled Irving Plaza Show [895d]
• An Oscar-Winning Icon Showed Up to the ‘Freaky Tales’ Set on Day Two and Delivered Sundance’s Most Surprising Cameo: ‘We Were Thrilled’ [895d]
• Eladio Carrión’s ‘Sol María’ Finds Its Balance in Experimental Latin Trap: Album Review [895d]
• Jesse Eisenberg Says His Sundance Jewish Buddy Movie Is ‘Not Political’ and Gives His Advice to New Lex Luthor Nicholas Hoult: ‘Don’t Watch Me!’ [895d]
• Comedy Central Won’t Choose ‘Daily Show’ Host After Year-Long Search [895d]
• Green Day’s Sociopolitical Sarcasm Ages Well in Sharp ‘Saviors’: Album Review [895d]
• Lucy Liu Doesn’t Think ‘Charlie’s Angels 3’ Will Ever Get Made: ‘I Will Be Shocked if That Happened’ [895d]
• Paramount Global SVP of Streaming Strategy Sean Gupta Is Exiting [895d]
• ‘Emily in Paris’ Star Ashley Park Hospitalized for Critical Septic Shock, Now Recovering: ‘I’m Safely on the Other Side of the Worst’ [895d]
• Sports Illustrated Has Laid Off ‘Possibly All’ Editorial Staffers, Union Says [895d]
• ‘The Moogai’ Reveals The Real-Life Horror of Stolen Aboriginal Children — and Could Be Australia’s ‘Get Out’ [895d]
• Jodie Foster Says Warner Bros. Giving Greta Gerwig ‘All the Money to Support’ Her ‘Barbie’ Vision Is ‘New for Women Directors’: ‘I Hope It Continues’ [895d]