The Brutalist Report

Variety

• Martin Scorsese Talks the ‘Glamour of Evil,’ Actors He Wish He’d Worked With and ‘Killers of the Flower Moon’ at Montclair Film Festival [984d]
• Britney Spears Teases 2024 Release for Second Memoir: ‘Get Ready’ [984d]
• Lance Bass Says Fans Should Forgive Justin Timberlake Amid Backlash Over Britney Spears’ Memoir: ‘Britney Did, So Let’s Take a Note From Her’ [984d]
• Taylor Swift Beats Her Own Spotify One-Day Record for an Individual Artist With Release of ‘1989 (Taylor’s Version)’ [984d]
• Jessica Chastain and Peter Sarsgaard Enter Oscar Race as ‘Memory’ Finds North American Distributor, Sets December Release [984d]
• Buffy Sainte-Marie’s Indigenous Identity Questioned in New Report; Oscar-Winning Songwriter Calls Allegations ‘Traumatic’ and ‘Deeply Hurtful’ [984d]
• Elvis Lenic’s ‘Ship,’ About Croatian Shipyard, Wins at Ji.hlava Documentary Festival [984d]
• ‘Billions’ Showrunners Brian Koppelman, David Levien and Beth Schacter Unpack Series Finale: ‘We Made This Season for the Fans’ (Watch) [984d]
• Jacob Elordi Only Knew About Elvis Presley From ‘Lilo & Stitch’ Before Starring in ‘Priscilla’ [984d]
• Will Early Release Dates for ‘Barbie’ and ‘Past Lives’ Help or Hurt Their Oscar Chances? [984d]
• ‘Freud’s Last Session’ Review: Anthony Hopkins Slips Easily Into Sigmund’s Skin in Talky Two-Hander [984d]
• Writers Who Were Energized by the Strike Should Take on Climate Change Next (Guest Column) [984d]
• Box Office: ‘Five Nights at Freddy’s’ Bears Down With Big $39.4 Million Opening Day [984d]
• Meg Ryan’s Comeback: The Rom-Com Icon on Acting Again After Eight Years, Nora Ephron and Whether the Genre Pigeonholed Her [984d]