The Brutalist Report

Variety

• Alex Gibney on His Paul Simon Film and the Future of Doc Distribution: ‘It Would Be Grim If There Was Just One or Two Streamers and Nothing Else’ [1034d]
• ‘American Fiction’ Review: Jeffrey Wright Takes on Narrow Ideas of Black Representation in Sharp Industry Satire [1034d]
• ‘A Haunting In Venice’ Review: Kenneth Branagh Brings a Supernatural Dimension to His Hercule Poirot Series [1034d]
• Vice President Kamala Harris, Lil Wayne, Common and more Honor Hip-Hop’s 50th Anniversary at Washington D.C. Celebration: Concert Review [1034d]
• Shane Atkinson’s Dark Comedy ‘LaRoy’ Wins Top Awards at Deauville Festival [1034d]
• Ashton Kutcher and Mila Kunis Apologize for Letters in Support of Danny Masterson: ‘We Support Victims’ [1034d]
• Rugby World Cup Livestream: Where to Watch the 2023 Tournament Online [1034d]
• Saoirse Ronan Wants to Star in a Comedy Like ‘Bridesmaids’: ‘I Would Love to Do Something Modern and Funny’ [1034d]
• A24 Wants to Make ‘Dicks: The Musical’ a Best Song Contender for Megan Thee Stallion — And It Should Be [1034d]
• Todd Haynes Teases ‘Sexually Explicit’ Project With Joaquin Phoenix, Talks About New Oscar Contender ‘May December’ (EXCLUSIVE) [1034d]
• ‘Society of the Snow’ Review: J.A. Bayona Wrests the Andes Flight Disaster Away From Hollywood [1034d]
• Lil Nas X on His Toronto Documentary ‘Long Live Montero’ and ‘Making the Ceiling Unreachable for Where We Can Go as Black Queer People’ (EXCLUSIVE) [1034d]
• Chuck Palahniuk on His New Serial Killer Novel and the One Part He Didn’t Like in the ‘Fight Club’ Movie [1034d]