The Brutalist Report

Variety

• FX’s ‘A Murder at the End of the World’ Delays Hulu Premiere to November [1080d]
• ‘The Beanie Bubble’ Is Not Actually About Beanie Babies [1080d]
• Will Smith Speaks Out on SAG-AFTRA and WGA Strikes: ‘It’s a Pivotal Moment for Our Profession’ [1080d]
• ‘Up Here’ Canceled After One Season at Hulu [1080d]
• Disney Loses Bid to Throw Out Florida Lawsuit Over Theme Park District [1080d]
• Sarah Silverman Slams Actors for Working Under SAG Indie Interim Agreements: ‘It’s Scabbing’ [1080d]
• Dogstar’s Keanu Reeves, Bret Domrose and Rob Mailhouse Break Down Their Summery New Sound After 23-Year Absence [1080d]
• ‘Venom 3’ and ‘Bad Boys 4’ Land Summer 2024 Release Dates [1080d]
• ‘Beyond the Spider-Verse’ Taken Off Sony Release Calendar as Strikes Delay ‘Kraven’ and ‘Ghostbusters’ Sequel to 2024 [1080d]
• Dave Coulier Will Pause New Episodes of ‘Full House’ Rewatch Podcast During SAG-AFTRA Strike [1081d]
• Bethenny Frankel Enlists Power Attorneys Bryan Freedman and Mark Geragos in Fight for Reality Star Protections: ‘This Is Going to Be a War’ (EXCLUSIVE) [1081d]
• Seth Rogen Says ‘Fear of the Process’ Has Turned Him Off From Marvel and DC Films: ‘Is It a System We’d Get Really Frustrated With?’ [1081d]
• ‘Joni Mitchell at Newport’ Is the ‘Photos or It Didn’t Happen’ Proof of a Resurrection: Album Review [1081d]
• Jewish Film Institute Awards Completion Grants to Six Independent Films (EXCLUSIVE) [1081d]
• Aphex Twin’s ‘Blackbox Life Recorder 21f’ Takes Dancefloors Back Into Dark Places: EP Review [1081d]
• ‘Anyone Could Be the Girl Next Door’: How Jenny Han Defied Hollywood Typecasting to Turn ‘The Summer I Turned Pretty’ Into a Smash Hit [1081d]
• Shark Week 2023 Delivers Biggest Opening Night in 3 Years With More Than 5.3 Million Viewers [1081d]
• Public Enemy, Salt-N-Pepa to Celebrate 50 Years of Hip-Hop at 2023 Guild of Music Supervisors Conference (EXCLUSIVE) [1081d]