The Brutalist Report

Variety

• How REO Speedwagon’s ‘Time For Me To Fly’ Ended Up in ‘The Goldbergs’ Finale [1117d]
• Why ‘No Hard Feelings’ Star Jennifer Lawrence ‘Didn’t Even Have a Second Thought’ About Her NSFW Fight Scene [1117d]
• Young Thug Drops Star-Studded ‘Business Is Business’ Surprise Project From Prison: Album Review [1117d]
• ‘The Walking Dead: Dead City’ Scores AMC+ Its Biggest Season Premiere Ever [1117d]
• Peacock Sets ‘Love Island USA’ Premiere Date, First Look at New Season (TV News Roundup) [1117d]
• ‘RuPaul’s Drag Race’ Focused on Casting Queens Who Will ‘Evoke Change’ and Fight for LGBTQ Rights Amid Anti-Drag Laws [1117d]
• Cathy Kalmenson on Voice Acting, Finding Talent and the State of AI [1117d]
• Variety and Rolling Stone Announce Additional Speakers and Programming for Truth Seekers Summit Presented by Showtime [1117d]
• ‘Rap Sh!t’ Music Supervisors Spent Three Months Trying to Clear Drake’s ‘No Friends in the Industry’ [1117d]
• Amanda Shires on Keeping the Late Bobbie Nelson’s Legacy Alive With Their Joint Album, ‘Loving You’: ‘Her Story Still Needs to Be Out There’ [1117d]
• Comic-Con Crisis: Marvel, Netflix, Sony, HBO and Universal to Skip SDCC as Fest Faces Another Existential Threat [1117d]
• How to Watch Every Indiana Jones Movie Online [1117d]
• Big Daddy Kane, Easy Mo Bee, Timbaland and More Talk Hip-Hop History and Music Industry Success at ASCAP Experience [1117d]
• Boots Riley on Labor Strikes, Anti-Police Messaging in ‘I’m a Virgo’ and Working With Amazon as a Communist [1117d]