The Brutalist Report

Variety

• Ryan Reynolds Says if ‘Good Afternoon’ Is Nominated for an Oscar, He Will ‘Show Up and Embarrass Myself’ [1289d]
• How the Donkeys in ‘EO’ Taught Director Jerzy Skolimowski to Be Humble and Open-Minded [1289d]
• Emma Roberts and Tom Ellis to Lead and Executive Produce ‘Second Wife’ at Hulu From ‘Tell Me Lies’ Creator Meaghan Oppenheimer [1289d]
• POV Snags Oscar-Shortlisted, Sundance-Winning Doc ‘A House Made of Splinters’ (EXCLUSIVE) [1289d]
• ‘Snowpiercer’ Season 4 Scrapped at TNT [1289d]
• ‘And Just Like That’: John Corbett Returns as Aidan Shaw in Season 2 First Look [1289d]
• How a Vintage Suit Helped Sandy Powell Unlock the Secrets of ‘Living’ [1289d]
• National Geographic Greenlights ‘Underdogs,’ Ryan Reynolds Set to Narrate [1289d]
• ‘The Kelly Clarkson Show’ In Talks to Move Production to the East Coast (EXCLUSIVE) [1289d]
• Behind the Scenes of SZA’s ‘Kill Bill’ Music Video: The ‘Perfect Storm’ That Brought Tarantino’s Films Back to Life [1289d]
• How Old Friends Alfonso Cuarón and Guillermo del Toro Could Make Oscars History [1289d]
• How Led Zeppelin Influenced the ‘All Quiet on the Western Front’ Score [1289d]
• ‘Alert: Missing Persons Unit’ Is Fox’s Most-Streamed Drama Premiere Since ‘9-1-1: Lone Star’ (EXCLUSIVE) [1289d]
• ‘Frasier’ Sequel Series at Paramount+ Casts Jack Cutmore-Scott as Freddy Crane [1289d]
• Mustafa Shakir on His Powerful ‘Emancipation’ and How He Overcame His ‘Hang Up’ to ‘Slave’ Movies [1289d]