The Brutalist Report

Variety

• Nashville Film Festival Unveils 2022 Lineup, Bookended by Tanya Tucker, Louis Armstrong Docs (EXCLUSIVE) [1435d]
• Jennifer Lawrence, Daniel Craig, Viola Davis Among Stars Lined Up for Variety’s Toronto Interview Studio [1435d]
• The Worst Series Finales of All Time [1435d]
• How a Scooter Braun Co-Sign Led to a Co-Writing Credit for Independent Artist Anees [1435d]
• Israeli Pop Duo Static & Ben El Split [1435d]
• Andrew Tate Complains That ‘Traditional Masculine Values’ Got Him Banned From Internet Platforms [1435d]
• Muse’s Matt Bellamy on Why New Album ‘Will of the People’ Beats a Best-Of, and How ‘We Have the History of Rock on Our Side’ [1435d]
• Hayley Kiyoko Talks Self-Care, Airplane Journaling and Her ‘Panorama’ Tour Essentials [1435d]
• ‘Resident Evil’ Canceled After One Season at Netflix [1435d]
• MTV Stokes Social Platforms and Fandom Circles to Drive Engagement for Sunday’s VMA Awards [1435d]
• ‘Rust’ Fallout: Hollywood Studios and Unions Fail to Reach Deal on Firearm Safety [1435d]
• Michael K. Williams Wished ‘The Wire’ Went ‘All In’ on Omar’s Intimacy: ‘You Know Gay People F—, Right?’ [1435d]
• Aditya Chopra Reveals Vision for ‘DDLJ’ Stage Adaptation: ‘Diverse Cultures Coming Together in a Story That Celebrates Love (EXCLUSIVE) [1435d]
• Reboots, Representation and Ripping Into Politics: 8 Top Takeaways From Edinburgh TV Festival [1435d]
• How ‘The Champion’ Could Bolster the Foreign Language Film Market Through AI [1435d]
• Danny DeVito Says His Penguin Was Better Than Colin Farrell’s in ‘The Batman’ [1435d]
• Prince Charles in ‘Explorer’: Watch First Clip From Documentary on World’s Greatest Living Explorer Ranulph Fiennes (EXCLUSIVE) [1435d]
• Netflix’s ‘Partner Track’ Gets Lost On Its Way Up the Corporate Rom-Com Ladder: Review [1435d]
• Eminem Speaks to God on Dr. Dre’s Remix of Kanye West’s ‘Use This Gospel’ [1435d]