The Brutalist Report - variety
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- ‘Fourth Wing’ Author Rebecca Yarros Announces New Romance Novel ‘Peculiar Stars’ [23d]
- Rami Malek Cries During 8-Minute Cannes Standing Ovation for Ira Sachs’ Gay Drama ‘The Man I Love’ [23d]
- ‘The Bear’ Honored as the Italian Beef Is Named Official State Sandwich of Illinois [23d]
- ‘The Man I Love’ Review: Rami Malek Has His Best Role Since ‘Bohemian Rhapody’ in Ira Sachs’s Delicate and Touching ’80s Character Study [23d]
- ‘Margo’s Got Money Troubles’ EPs Break Down the Finale, That Custody Battle and Going Beyond the Book in Season 2 [23d]
- Meet Rover, the Shorts Streamer That Aims to Democratize Moviemaking: It’s ‘Like Sitting in the Room With the Filmmaker’ [23d]
- Damon Lindelof Reveals Why He Was Fired From Star Wars Movie: Story Was the ‘Protestant Reformation Inside Star Wars’ [23d]
- How Michael Jackson’s ‘Chicago’ Went From Leftover Track to Viral Hit Decades Later [23d]
- ‘Cliff Booth’ Movie Starring Brad Pitt Takes Over ‘Narnia’s’ Imax Slot This Thanksgiving [23d]
- Michael Bay to Direct Operation Epic Fury Rescue Film About Two Pilots Recovered From Iran [23d]
- Matt Damon Eyes ‘Everything Everywhere All at Once’ Directing Duo’s Next Movie After Ryan Gosling Drops Out [23d]
- ‘Victorian Psycho’ Director on the Challenge of Making a ‘Demented’ and ‘Funny’ Movie Where You Root for Maika Monroe’s Serial Killer [23d]
- JB Smoove Inks First-Look Deal With Fox for Unscripted Content [23d]
- Rio2C, Latin America’s Largest Creativity Meet, Consolidates as International Event [23d]
- Michael Jackson Docuseries Set at Netflix, Will Explore His 2005 Child Molestation Trial and Acquittal [23d]
- Critics’ Week 2026: Marine Atlan’s ‘La Gradiva,’ Aina Clotet’s ‘Viva’ Take Top Awards [23d]
- Paramount’s Junk-Status Credit Rating to Be Downgraded Further Following Warner Bros. Merger to Reflect ‘Major Ongoing Uncertainties,’ S&P Global Says [23d]
- Stephen Colbert Shook Up Late-Night Twice, but His Push Into Politics Could Have Ultimately Hurt the Format [23d]
- Heat of the Moment: How Al Gore and ‘An Inconvenient Truth’ Changed the Way We Think About Climate Issues [23d]
- Xbox Hires Matthew Ball as Chief Strategy Officer [23d]
- Storytelling and Sustainability: Hollywood’s Top Creatives Weave Climate Themes into TV and Movies [23d]
- Storytelling and Sustainability: Timely Tales With Climate Themes Have the Power to Drive Change [23d]
- Joaquin Phoenix on the Mental Health Crisis Hidden Inside Factory Farms [23d]
- Greece Champions $927 Million Film Plan at Cannes After Being Home to New Christopher Nolan and Brad Pitt Movie Productions [23d]
- ‘Talladega Nights’ Races Back to Theaters for 20th Anniversary [23d]
- ‘The Testaments’ Renewed for Season 2 at Hulu [23d]
- Quinta Brunson to Develop and Star in ‘Betty Boop’ Feature Film From Fleischer Studios and Fifth Chance Productions (EXCLUSIVE) [23d]
- CNN Hires Ex-Peacock Exec Anna Frost as Head of Worldwide Marketing (EXCLUSIVE) [23d]
- ‘A Man of His Time’ Review: Swann Arlaud Excels in a Provocative and Pained Portrait of a Self-Deluding Vichy France Collaborator [23d]
- Bowling, Balls and Ballots: Inside the Business of Mayoral Hopeful Spencer Pratt [23d]
- Jeff Bezos Defends ‘Melania’ Documentary as a ‘Very Wise Business Decision,’ Denies It Was a ‘Way of Buying Influence’ With Trump Administration [23d]
- ‘Just F—ing Go for It’: How ‘Supergirl’ Star Milly Alcock Learned to Ignore the Trolls and Became a Punk Rock Superhero [23d]
- ‘My Sassy Girl’ 4K Restoration Lands at Film Movement Classics for North American Theatrical Debut (EXCLUSIVE) [23d]
- Asghar Farhadi on Paris-Set ‘Parallel Tales’ and Returning to War-Battered Iran: ‘It’s Like Having a Sick Mother…You Cannot Leave Her and Just Let Her Be’ [23d]
- Jordan Firstman on A24’s $17 Million ‘Club Kid’ Deal and Going From ‘Punching Bag’ to Cannes Sensation: ‘It’s Been the Best Week of My Life’ [23d]
- Moonwalking to Box Office Glory: How Lionsgate’s Nostalgic, Fan-Centric Marketing Campaign Turned ‘Michael’ Into a Blockbuster [23d]
- Jenna Ortega to Star in Leos Carax’s Next Film ‘Lily May B,’ Produced by France’s Hugo Selignac (EXCLUSIVE) [23d]
- Sophie Thatcher on Making ‘Her Private Hell,’ How Nicolas Winding Refn Became the ‘Cool Dad I Never Had’ and Wanting to Work With More European Directors: ‘I Don’t Want to Be Safe’ [23d]
- Ron Howard on Capturing Photographer Richard Avedon’s ‘Artistic Endurance’ in Cannes Documentary: ‘You Can Be Commercial and Not a Sellout’ [23d]
- New York Music Month Unveils 2026 Schedule: Samara Joy, Nile Rodgers, Frankie Grande and More [23d]
- Mindy Kaling Understands Weight Loss Criticisms: ‘It’s Sometimes No Fun When Your Favorite Actors Lose Weight’ After You’ve ‘Grown Attached to Them’ [23d]
- ‘The Looking Glass Wars’ Video Game Set as Author Frank Beddor Plots Musical, TV Series Adaptations (EXCLUSIVE) [23d]
- ‘Yesterday the Eye Didn’t Sleep’ Review: Observational Drama on a Distressing Case of Patriarchy is Poignantly Rooted in History [23d]
- Apple TV’s Cam Boy Crime Comedy ‘Maximum Pleasure Guaranteed’ Loses Sight of Its Juicy Hook: TV Review [23d]
- W. Kamau Bell to Launch Video Podcast ‘Who’s With Me?’ With Malcolm Gladwell’s Pushkin Industries [23d]
- James Murdoch Buys New York Magazine, Vox Media’s Podcast Network and Vox Website in Deal Reportedly Worth More Than $300 Million [23d]
- Apple’s Eddy Cue to Receive Entertainment Person of the Year Honor at Cannes Lions Festival [23d]
- Karen Bass Picks Up IATSE Endorsement in Bid for Reelection: ‘We Can Get Our Industry Back’ [23d]
- Watch New Trailer for Gregg Allman Documentary: ‘The Music of My Soul’ (EXCLUSIVE) [23d]
- Shamrock Capital Launches Fourth Content Strategy Fund Since 2015 With $813 Million in Commitments [23d]
- Budapest-Based Love Cubed Ramps up International Slate With Cassian Elwes, Veronica Ferres-Produced Horror ‘Controllers’ (EXCLUSIVE) [23d]
- Miles Teller Stopped Doing Press Profiles After Esquire Magazine Called Him ‘Kind of a Dick’: ‘It Felt Like Such a Violation’ and Was ‘So Mishandled’ [23d]
- Jay Lycurgo on Going From ‘Steve’ to ‘I See Buildings Fall Like Lightning’: ‘I Love These Stories — They’re Just So Real’ [23d]
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