The Brutalist Report - variety
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- ‘Sheep in the Box’ Review: Kore-eda’s Sweet but Limp Sci-Fi Fable About a 7-Year-Old AI Humanoid [17d]
- ‘Hope’ Unleashes a Bats— Crazy Korean Monster Movie on Cannes and Earns 6-Minute Standing Ovation [17d]
- ‘Hope’ Review: Na Hong-jin’s Overlong Creature Feature is a Guns-Blazing Riot of Bawdy Humor, Bad CGI and Brilliant Action [17d]
- ACM Awards Producers on What to Expect Sunday Night: Shania’s First Country Hosting Gig, Show’s Return to Vegas, 17 Performances in 2½ Hours and Meeting the Ella Langley Moment [17d]
- ‘A Girl’s Story’ Review: Judith Godrèche’s Assured Feature Debut Tells a Bitter Tale of Sexual Initiation in 1950s France [17d]
- Annette Bening on Going Head-to-Head With Beth and Rip on ‘Dutton Ranch,’ Perfecting That Accent and Wardrobe, and Bringing ‘Vulnerability and Desperation’ to Beulah [17d]
- ‘Another Day’ Review: Adèle Exarchopoulos Gives an Understated and Deeply Lived-In Performance in Jeanne Herry’s Graceful Alcoholism Drama [17d]
- ACMs 2026 Livestream: How to Watch the Country Music Awards Show Online for Free [18d]
- Barbra Streisand Unable to Attend Cannes Closing Ceremony to Accept Honorary Palme d’Or After Knee Injury [18d]
- Ryan Gosling Was Fired From ‘Lovely Bones’ After Gaining 60 Pounds. Peter Jackson Now Speaks Out: ‘Anytime We Recast an Actor, It’s Actually Our Fault’ [18d]
- The Oscars’ New Inclusion Rules Wouldn’t Disqualify Any Best Picture Nominee in History. So Why Is Elon Musk Melting Down Over ‘The Odyssey’? [18d]
- ‘Laalo’ Producers Soul Sutra Unveil 12-Film Gujarati Slate at Cannes Film Market, Eye Global Co-Productions (EXCLUSIVE) [18d]
- Happy 60th Birthday, ‘Pet Sounds’: Beach Boys Mike Love, Al Jardine and Bruce Johnston Recall the Making and Aftermath of One of Rock’s Greatest Albums [18d]
- French Tech Entrepreneur Adrien Nussenbaum Launches Palatio Films With Daniel Auteuil’s Cannes Movie ‘When Night Falls’ [18d]
- ‘Michael’ Surpasses $700 Million Globally, ‘Devil Wears Prada 2’ Nears $550 Million Milestone [18d]
- Daniel Hong Thriller ‘Dead End’ Lands at EST N8 for Cannes Film Market Launch (EXCLUSIVE) [18d]
- Blood, Blasphemy and Boning: Ken Russell’s ‘The Devils’ Turns 55, and It’s Still the Freshest, Wildest Film at Cannes [18d]
- Five Wild Cannes Market Projects: From Boy-Love Horror-Romance ‘Paint You on My Bed Sheet’ to ‘Deathgasm II Goremageddon’ [18d]
- Cate Blanchett and Selena Gomez Set to Star in Brady Corbet’s New ‘X-Rated’ Epic [18d]
- Inside Netflix’s ‘Call My Agent The Movie’: George Clooney Cameo, Cannes Shoot and Andrea’s Big Comeback (EXCLUSIVE) [18d]
- ‘Moulin’ Review: László Nemes Directs a Narratively Flat, Visually Arresting Spy Drama [18d]
- Box Office: ‘Michael’ Returns to No. 1 in Fourth Weekend, ‘Obsession’ Starts Strong With $16 Million [18d]
- Cate Blanchett Says #MeToo ‘Got Killed Very Quickly’ and She’s Still on Movie Sets Where There’s ’10 Women and 75 Men’: ‘It Just Gets Boring’ [18d]
- Edinburgh Film Festival Director on 2026 Edition, Continuing ‘Expansion’ in Third Year Since Relaunch and Building a ‘Home for Independent Cinema’ [18d]
- Mel Brooks to Donate His Expansive Career Archive to National Comedy Center in New York [18d]
- Director Laila Marrakchi on Female-Driven Migrant Drama Strawberries in Cannes:’These Women Are So Strong, So Capable, So Courageous’ [18d]
- ‘The Station’ Review: A Long-Gestating, Female-Centered Project Set in Yemen That’s Well Worth the Wait [18d]
- Adam Driver Brushes Off Lena Dunham Memoir Question in Cannes: ‘I’m Saving It All for My Book’ [18d]
- Donald Trump as James Bond? White House Posts Image of President as Gun-Wielding 007 [18d]
- Frankie Muniz, Christopher Lloyd Board Paris-Set Family Adventure ‘Christopher Hope and the Secret of Napoleon’ (EXCLUSIVE) [18d]
- Brillante Mendoza Casts Judy Ann Santos, Jeanne Balibar and Stacy Martin in ‘Aid’; Fire & Ice, Ghost City, Human Films Producing (EXCLUSIVE) [18d]
- Raya Martin’s Horror Thriller ‘Obosen’ Lands at Philippines’ Rein Entertainment as Studio Taps Quark Henares as Partner (EXCLUSIVE) [18d]
- Grace Caroline Currey to Lead Crime Thriller ‘Dead Miles,’ VMI Launching Sales in Cannes (EXCLUSIVE) [18d]
- Chad Michael Murray to Star in Family Drama ‘Disconnecting Peter’ (EXCLUSIVE) [18d]
- Javier Bardem Says Tide Is Turning on Hollywood Speaking Up for Palestine: Those Making Blacklists ‘Will Be the Ones Suffering the Consequences’ [18d]
- After ‘Son of Saul,’ László Nemes Returns to WWII With ‘Moulin’ and a Warning About Tyranny: ‘You Have to Choose Your Side’ [18d]
- Keanu Reeves to Voice Lead in Stop-Motion Samurai Movie ‘Hidari’ [18d]
- French Producer Sylvie Pialat Hits Cannes With New Projects by Pablo Fendrik, Felipe Gálvez and Hu Wei (EXCLUSIVE) [18d]
- Kino Lorber Acquires North American Rights to Mark Cousins’ ‘The Story of Documentary Film’ (EXCLUSIVE) [18d]
- Twickenham Film Studios, Miller Team on New Insurance Referral Service for Producers (EXCLUSIVE) [18d]
- Rome Kanda, Kuroki Hitomi, Banno Mari, Ahn Mika Lead Joshua Woodcock’s Japanese Drama ‘Ohenro’ (EXCLUSIVE) [18d]
- ‘The Big Short’ Writer Charles Randolph Adapting ‘Muppets in Moscow,’ for Emotion Pictures and Felix Culpa (EXCLUSIVE) [18d]
- New Tokyo Horror Festival Yami Sets November Debut (EXCLUSIVE) [18d]
- Bombay Berlin Film Productions Launches Four-Doc Slate, Expands as Cross-Border Boutique Studio (EXCLUSIVE) [18d]
- Unifrance’s 10 to Watch Initiative Spotlights Rising French Talent [18d]
- Indian Folk Horror ‘Bokshi’ Lands Spain Deal With Wild Duck (EXCLUSIVE) [18d]
- Toronto-Winning ‘Charcoal’ Director Carolina Markowicz to Shoot ‘The Funeral’ Starring Maeve Jinkings (EXCLUSIVE) [18d]
- Golden Globes, Artemis Rising Foundation and Think-Film Impact Production Return to Cannes for Documentary Filmmaker Award [18d]
- Dominga Sotomayor Talks ‘Meta’ Element of Casting Selton Mello in Tender Drama ‘La Perra,’ Not Translating the Title to Avoid ‘Violent’ Judgment of Women [18d]
- Docuseries on Yassmin Pucci Pahlavi, Granddaughter of the Last Shah of Persia, Shooting in Cannes (EXCLUSIVE) [18d]
- Claire Denis Moving Forward With Female Cannibal Crime Drama ‘The Soap Maker’ (EXCLUSIVE) [18d]
- Jia Zhang-ke on His Cannes Short ‘Torino Shadow,’ AI, and Why Cinema Still Needs You in the Room [18d]
- Sundance Winner Neeraj Churi, Daniel Talbott Team on Mumbai Queer Feature ‘Starvation’ (EXCLUSIVE) [18d]
- Yash on How ‘Toxic’ and ‘Ramayana’ Are Putting Indian Cinema on the Global Stage (EXCLUSIVE) [18d]
- Paz Vega to Direct ‘Ana No,’ Sold by Film Factory (EXCLUSIVE) [18d]
- ‘SNL’ Joke Swap: Michael Che Declares ‘Michael Jackson Did Nothing Wrong’ and Colin Jost Almost Shaves Head [18d]
- Iko Uwais, Joe Taslim Head K-Movie Entertainment’s Indonesian Action Slate at Cannes Market (EXCLUSIVE) [18d]
- Cannes Short ‘The Dream Is a Snail’ to Get Feature Adaptation (EXCLUSIVE) [18d]
- Ronda Rousey Destroys Gina Carano in Seconds, Jake Paul Gets Booed in Netflix’s Spotty MMA Debut [18d]
- Chad Smith Delivers Will Ferrell’s ‘SNL’ Monologue: ‘You’re Not the Host, I Am’ [18d]
- Will Ferrell’s Jeffrey Epstein Haunts Donald Trump on ‘SNL’: ‘People Will Always Associate You With Me’ [18d]
- Kristen Stewart and ‘Full Phil’ Cast Get Lively 5-Minute Cannes Ovation Despite Mixed Response to Quentin Dupieux’s Absurd Comedy [18d]
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