The Brutalist Report - variety

Variety

Saudi Arabia Is Now the Principal Export Market for the Egyptian Film Industry, Report Says [100d]
Stephen Colbert Rallies Behind Public Media Groups Facing Major Funding Losses: ‘It’s Really Critical That These Stations Continue’ [100d]
‘Wicked: For Good’ Transformations Explained: How the Scarecrow and Tin Man Got Their Shocking Final Looks [100d]
May Jabareen, Producer of Cairo Award Winner ‘Ping-Pong,’ on the Issues Dealt With in the Palestinian Film, and Upcoming Projects [100d]
How ‘Wicked: For Good’ Introduces Dorothy and All ‘The Wizard of Oz’ Characters (Including Toto) [100d]
‘The Devil Wears Prada 2’: Dwayne Johnson Pitched a Part for Himself to ‘Smashing Machine’ Co-Star Emily Blunt [100d]
David Harbour on How ‘Stranger Things’ Has Changed Him: ‘It Ripped Apart the Whole Conception of What I Would Be’ [100d]
On the 30th Anniversary of Its Release, It’s Time ‘Casino’ Took Its Rightful Place as a Scorsese Classic [100d]
Zahraa Ghandour’s ‘Flana’ Marks Historic Moment for Iraqi Women [100d]
‘Family Plan 2’ Director Simon Cellan Jones on Why Computers Can Never Duplicate the Thrills of Human-Made Action Movies: ‘I F‑‑‑ing Hate AI’ [100d]