The Brutalist Report

Variety

• Saudi Arabia Is Now the Principal Export Market for the Egyptian Film Industry, Report Says [100d]
• Stephen Colbert Rallies Behind Public Media Groups Facing Major Funding Losses: ‘It’s Really Critical That These Stations Continue’ [100d]
• ‘Wicked: For Good’ Transformations Explained: How the Scarecrow and Tin Man Got Their Shocking Final Looks [100d]
• May Jabareen, Producer of Cairo Award Winner ‘Ping-Pong,’ on the Issues Dealt With in the Palestinian Film, and Upcoming Projects [100d]
• How ‘Wicked: For Good’ Introduces Dorothy and All ‘The Wizard of Oz’ Characters (Including Toto) [100d]
• ‘The Devil Wears Prada 2’: Dwayne Johnson Pitched a Part for Himself to ‘Smashing Machine’ Co-Star Emily Blunt [100d]
• David Harbour on How ‘Stranger Things’ Has Changed Him: ‘It Ripped Apart the Whole Conception of What I Would Be’ [100d]
• On the 30th Anniversary of Its Release, It’s Time ‘Casino’ Took Its Rightful Place as a Scorsese Classic [100d]
• Zahraa Ghandour’s ‘Flana’ Marks Historic Moment for Iraqi Women [100d]
• ‘Family Plan 2’ Director Simon Cellan Jones on Why Computers Can Never Duplicate the Thrills of Human-Made Action Movies: ‘I F‑‑‑ing Hate AI’ [100d]
• Josh Hutcherson on Why a ‘Hunger Games’ Return ‘Wouldn’t Take Any Convincing’ and How ‘I Love L.A.’ and ‘Five Nights at Freddy’s 2’ Got Him Out of a Major Slump [100d]
• Cairo Film Festival Puts Co-Production in Spotlight as Industry Pushes for Regional Collaboration [100d]
• Eddie Murphy Says ‘Ghostbusters’, ‘Rush Hour’ and ‘Who Framed Roger Rabbit’ are His Three ‘Wish I Would Have Done’ Movies [100d]
• Radiohead Returns to London: The Best Moments From the Band’s First U.K. Show in 8 Years [100d]
• Indian Institute of Creative Technologies, Australia’s Deakin University Sign Partnership at WAVES Film Bazaar [100d]
• UFC Fight Night Qatar: Tsarukyan vs. Hooker Livestream — Here’s How to Watch the MMA Event Online [100d]