The Brutalist Report - variety
- Paramount Signs 10-Year Lease With 1888 Studios For New Jersey Production Campus [28d]
- Tokyo Market Managing Director Ikeda Kaori Sets Sights on Asian Expansion [28d]
- Sci-Fi Western ‘Hum’ Heads to Tokyo Gap-Financing Market [28d]
- ‘South Park’ Sets Special Halloween Night Episode on Trump’s White House Demolition [28d]
- ‘Only Murders in the Building’ Co-Creator Unpacks the Season 5 Finale, the ‘Origin Story’ Coming With the Season 6 Victim and Why the Show Is Moving to London [28d]
- Tokyo Market Chief Shiina Yasushi Charts Path to Co-Production Hub as TIFFCOM Hits Record Growth [28d]
- French National Film Board President Gaëtan Bruel on the Country’s Role in Oscar Race, Relationship With Streamers and Luring U.S. Shoots: ‘Cinema Is Part of France’s DNA’ [28d]
- ‘Crouching Tiger’ Producer’s ‘The Furious’ Lands at Lionsgate [28d]
- World Series 2025: Drake, Jacob Elordi, Justin and Hailey Bieber and More Celebs Attend the Games (PHOTOS) [28d]
- ‘Hedda’ Review: Tessa Thompson Sinks Her Talons Into a Rich Stage Role Boldly Reinvented for the Big Screen [28d]
- ‘Running Point’ Season 2 Casts Ray Romano in Recurring Role [28d]
- Emma Thompson Tells AI to ‘Just F— Off!’ and Calls It an ‘Intense Irritation’ as a Screenwriter: ‘Will You Just F— Off? I’m So Annoyed’ [28d]
- ‘Baahubali: The Epic’ Review: S.S. Rajamouli’s Landmark Blockbuster Ascends Into Myth [28d]
- John Williams to Score Steven Spielberg’s UFO Movie, Marking the Duo’s 30th Film Together [28d]
- Judge Rules Against Dr. Phil in Merit Street Bankruptcy, Orders Case to Be Converted to Chapter 7 Liquidation [28d]
- Women Are Leading More Animated Features, but the Fight for Industry Equality Isn’t Over [28d]
- LISTEN: What Might Await Sean Combs After Prison; Red Carpet Rundown With Hilary Duff [28d]
- Electronic Arts Sales Fall 13% in September Quarter; Game Giant Suspends Earnings Calls and Guidance Ahead of Go-Private Deal [28d]
- ‘Brilliant Minds’ Season 2 Adds Mädchen Amick to Guest Star, Direct (EXCLUSIVE) [28d]
- Matthew Perry’s Sister Reflects on Channeling Grief Into Purpose With Novel Nonprofit That Supports Addicts With Long-Term Help [28d]
- How Glen Powell Felt When 92,000 Georgia Football Fans Booed Him for ‘Chad Powers’: ‘I Don’t Know If I’ve Ever Been So Ready to Run Through a Wall’ [28d]
- Italy’s ‘The Monster of Florence’ Hits No. 1 on Netflix Globally, Highlighting the ‘Power and Reach of Great Storytelling No Matter Where It Emanates From’ (EXCLUSIVE) [28d]
- Nicole Scherzinger Is Ready for Her Close-Up: The Tony Winner on Movie Offers After ‘Sunset Boulevard,’ Turning Down ‘Evita’ and Why Christianity Gets a ‘Bad Rap’ [28d]
- ‘Scrubs’ Reboot Sets ABC Release Date, ‘Will Trent’ Season 4 and ‘The Rookie’ Season 8 to Premiere in January [28d]
- ‘NCIS’ Star Mark Harmon to Return as Gibbs in ‘NCIS: Origins’ During Veterans Day Crossover [28d]
- Documentary on Journalist Bill Moyers in the Works From Kathleen Hughes and Tom Casciato [28d]
- Christina Applegate to Join ‘Married With Children’ Cast Reunion to Raise Money for Race to End MS [28d]
- Epic Pass Sets Ski Season Events Lineup, Last-Minute Discount Ahead of Price Hike [28d]
- Armie Hammer Makes Film Return in ‘Frontier Crucible’ Trailer, His First Movie Since Sexual Misconduct Allegations [28d]
- Music Industry Moves: ASCAP, BMI and SOCAN’s New Registration Policies Allow ‘Partially’ AI-Generated Works [28d]
- Amazon MGM Studios Casting Head Donna Rosenstein Exits Amid Layoffs [28d]
- Spotify Raises Subscription Prices in U.K. for Second Time in 18 Months, U.S. Price Hike Likely Soon [28d]
- From Eva Longoria to Tayla Parx to Alex Cooper: Variety’s Women’s Impact Report 2025 [28d]
- Quentin Tarantino’s Filmography Gets 10-Book Series From Insight Editions, Starting With ‘Once Upon a Time… in Hollywood’ [28d]
- Gotham Awards Nominations: Big-Budget ‘One Battle After Another’ Leads With Record-Breaking Six, Adam Sandler and Jessie Buckley Score Acting Nods [28d]
- Nickelodeon Comms VP Lilah Kojoori to Exit After 20 Years With Network [28d]
- ‘The Pitt’ Stars Noah Wyle and Katherine LaNasa Tease ‘Grotesque’ Season 2 Storylines: ‘Our Prosthetics Team Has Been Working Overtime’ [28d]
- ‘Downton Abbey: The Grand Finale’ Sets Peacock Release Date [28d]
- The Stray Cats Cancel U.S. Fall Tour Due to Brian Setzer’s ‘Serious Illness’ [28d]
- ‘Doctor Who’: Disney+ Exits Partnership With the BBC as 2026 Christmas Special Confirmed [28d]
- ‘I Can’t Not Be Who I Am’: Jamie Lee Curtis on Her 47-Year Career, Falling in Love With Christopher Guest and Why She Hopes Charlie Kirk Found God [28d]
- Animated Documentary ‘Endless Cookie’ Sells to New Distribution Company Obscured Releasing (EXCLUSIVE) [28d]
- EJAE, Kali Uchis and Kehlani Named 2025 ASCAP Women Behind the Music Honorees [28d]
- ‘Freakier Friday’ Gets Disney+ Streaming Release Date [28d]
- ‘Control Your Fear,’ Interactive Ghost-Hunting Movie Filmed at Malvern Manor With CtrlMovie Tech, to Debut in 2026 (EXCLUSIVE) [28d]
- ‘The Voice of Hind Rajab’ Lands U.S. Distribution, Sets December Release [28d]
- Lucas Jagger on His Rolling Stones x Revo Campaign and Influencing Dad Mick Jagger’s Style: ‘I’m Still Trying to Get Him on Flare Jeans but He Won’t Do It’ [28d]
- Diabla Cine and We Are Not Zombies Sign Co-Production Deal for ‘The Paradise’ Ahead of Ventana Sur Series (EXCLUSIVE) [28d]
- ‘One Piece’ Season 2 Sets March Release Date, Drops First Look at Luffy on Drum Island [28d]
- Amazon Says It Will Lay Off 14,000 Corporate Workers, Citing Rapid AI Development: ‘The World Is Changing Quickly’ [28d]
- Leading Argentinian Producer Sabrina Farji Heading to Ventana Sur With Medical Drama ‘Gasp’ (EXCLUSIVE) [28d]
- Ventana Sur Series Unveils New TV Projects From Maximiliano Dubois, Marcelo Schapces, Theresa Jessouroun (EXCLUSIVE) [28d]
- Othelia Technologies Launches Non-Generative AI Storytelling Platform to ‘Manage Complex Narrative Worlds’ (EXCLUSIVE) [29d]
- Paramount, UFC to Expand Partnership to Latin America and Australia in 2026 [29d]
- Prunella Scales, ‘Fawlty Towers’ Star, Dies at 93 [29d]
- CNN’s New ‘All Access’ Subscription Streamer Puts Bigger Spotlight on Mobile Viewers [29d]
- Alief’s Queer Neo-Noir ‘The Activist’ Sells to TLA Releasing for North America and HBO Max for the Baltics Ahead of Tallinn (EXCLUSIVE) [29d]
- ‘Springsteen’ Leads U.K.-Ireland Box Office as ‘Regretting You’ and ‘Chainsaw Man’ Open Strong [29d]
- Nikias Chryssos’ Supernatural Body-Horror Film ‘Bloody Tennis’ Boarded by The Playmaker Ahead of AFM Launch (EXCLUSIVE) [29d]
- Tokyo Film Festival Competition Jury President Carlo Chatrian Sounds Alarm on Distribution Crisis [29d]
- Tallinn Black Nights Fest Unveils Baltic Film Competition, With Cannes Hit ‘Two Prosecutors’ Set as Opener [29d]
- Microdrama Hit ‘From Rags to Rank One’ Gets Sequel in Rare Format Move (EXCLUSIVE) [29d]
- Manoj Bajpayee’s ‘The Family Man’ Season 3 Sets Premiere Date on Prime Video (EXCLUSIVE) [29d]
- Japan’s Lily Franky to Star Alongside Fan Bingbing and Gabriel Byrne in Wayne Wang’s ‘Diary of a Mad Old Man’ [29d]
- Japan Readies Major Industry Showcase as 2026 Cannes Market Country of Honor [29d]
- Jon Stewart Says Trump Is ‘Definitely’ Planning to Serve Third Term: You Don’t ‘Build a 90,000 Square Foot Ballroom For the Next Guy’ [29d]
- ‘Terrifier’ Star Sues Producers, Alleging Unpaid Royalties and Filming Nude Scene Without Consent [29d]
- ‘Wicked: For Good’ Poised to Cast Another Spell on the Oscars as First Reactions Call It a ‘Heartbreakingly Tender Conclusion’ With ‘Jaw-Dropping Performances’ [29d]
- ‘DWTS’ Alum Maks Chmerkovskiy Slams ‘Absurd’ Casting of Taylor Swift’s Dancer Jan Ravnik as Pro: ‘There’s Zero Foundation’ [29d]
- ‘Scrubs’ Revival Loses Co-Showrunner in Midst of Production: Tim Hobert Exits, Aseem Batra Stays on [29d]
- Brandi Carlile on Detaching From Superstar Collabs With ‘Returning to Myself’ While Still Cherishing Community — and Why She and Joni Have an Even Tighter Connection Now [29d]
- ‘The Pitt’ Has Inspired More Organ Donation and End-of-Life Planning, According to USC Norman Lear Center Study [29d]
- ‘The Wrecker’ Review: A Lively If Ludicrous Flashback to Retro Screen Machismo at Its Most Cartoonish [29d]
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