The Brutalist Report

Variety

• Amanda Shires on Becoming ‘Nobody’s Girl’ With a Bracing Album That Straddles ‘Divorce Record’ and Reclamation Journal: ‘I Kept Telling Myself I Was Healed, When I Wasn’t Yet’ [159d]
• How Press-Shy Stars Are Finding Their Voice in Hollywood During the Podcast Era [159d]
• Dolly Parton Postpones Las Vegas Shows for December, Citing Health Issues [159d]
• Daniel Day-Lewis on Returning to Acting in Son Ronan’s Film ‘Anemone’: ‘There Was Always a Great Ease in Each Other’s Company’ [159d]
• ‘Anemone’ Review: Daniel Day-Lewis Returns to the Big Screen in a Glum Piece of Art-House Inertia Directed by His Son [159d]
• ‘The Souffleur’ Review: The Manager of a Fading Vienna Hotel Spirals Into Himself in a Bleakly Comedic Satire [159d]