The Brutalist Report

Variety

• Questlove to Receive SummerStage Icon Award at City Parks Foundation Gala [237d]
• ‘Spider-Man: Beyond the Spider-Verse’ Delays 2027 Theatrical Release By 3 Weeks [237d]
• Variety’s Awards Circuit Podcast Roundtable Dissects the Emmy Nominations — Including This Year’s Biggest Shockers [237d]
• Donald Trump Sues WSJ, Rupert Murdoch Over Jeffrey Epstein Birthday Letter Story [237d]
• ‘Saint Clare’ Review: Bella Thorne Kills Bad Guys in a Flashy but Garbled Thriller [237d]
• HBO Doc ‘Billy Joel: And So It Goes’ Candidly Examines Singer’s Struggles with Money, Alcohol, and Critics [237d]
• Nicole Kidman Reveals First Day on ‘Practical Magic 2’ Set With Sandra Bullock: ‘The Witches Are Back’ [237d]
• Skydance CEO David Ellison Pledged to FCC He Would ‘Ensure’ CBS News Coverage Reflects ‘Varied Ideological Perspectives’ [237d]
• Sheryl Crow Protests ‘The New Normal’ in Song About Trump, Robots and Algorithms [237d]
• ‘The Late Show With Stephen Colbert’ Has Never Won an Emmy — That Could Finally Change After CBS Canceled It [237d]
• Writers Guild Demands Investigation Into Stephen Colbert ‘Late Show’ Cancellation, Has ‘Significant Concerns’ About Bribery at Paramount [237d]
• Can the Theatrical Comedy Make a Comeback? ‘The Naked Gun’ Is the Ultimate Test [237d]
• Inside CBS’s Breakup With Stephen Colbert: Audience Shifts, Political Humor Made Unsustainable Mix [237d]
• 65 Years After Its Release, Filmmakers Julie Pacino and Joseph Kahn on Why Alfred Hitchcock’s ‘Psycho’ is Still ‘Scary As F—’ [237d]