The Brutalist Report

Variety

• Catherine O’Hara on Her Scene-Stealing ‘The Last of Us’ Character, Why Pedro Pascal Is Like Meryl Streep and Catching COVID While Making ‘The Studio’ [301d]
• ‘Death Becomes Her’ Costume Designer Paul Tazewell Leaned Into Old Theater Magic for Helen’s Hole-in-the-Stomach Moment and Other Iconic Looks From the Original Film [301d]
• ‘Alpha’ Review: A Potentially Infected Tattoo Sparks a Tortured AIDS Allegory in Julia Ducournau’s Rotten Follow-up to ‘Titane’ [301d]
• ‘My Father’s Shadow’ Review: Nigeria’s First Ever Cannes Selection Marks a Miraculous Gem of Autofiction [301d]
• 10 Emmy Rule Changes the TV Academy Should Consider, From Streamlining Acting Categories to Creating ‘Episode of the Year’ [301d]
• William H. Macy, Ben Wang Wrap Will Ropp’s Teen Comedy “Brian” (EXCLUSIVE) [301d]
• How Broadway’s ‘Sunset Blvd’ Pulled Off Opening Credits and Car Chase Sequence [301d]
• Ex-Foo Fighters Drummer Josh Freese Lists 10 Hilarious Reasons Why He Got Fired [301d]
• Cruel World Glories in the Gloom With Damp but Historic Sets From Til Tuesday, the Go-Go’s, Nick Cave and More [301d]
• How ‘The Last of Us’ Recreated the Game’s Iconic Museum and Built a Space Capsule for Joel and Ellie [301d]
• Ryan Murphy and Kaia Gerber Developing FX Series Based on Bret Easton Ellis Novel ‘The Shards’ [301d]
• Rihanna Stuns Cannes Red Carpet in the Rain to Support A$AP Rocky at ‘Highest 2 Lowest’ World Premiere [301d]
• Don’t Sleep on These 18 Series This Emmys Season: ‘The Last of Us,’ ‘Forever’ and More [301d]
• Denzel Washington, Spike Lee and A$AP Rocky (and Rihanna!) Stun Cannes as ‘Highest 2 Lowest’ Earns 5.5-Minute Ovation [301d]
• ‘Lego Masters’ Brings ‘Star Wars’ and Waterfall Challenges, a Time-Altering Twist and 4.5 Million Bricks to Season 5 [301d]
• ‘Maid’ Creator Molly Smith Metzler Takes on Class in America Once Again With ‘Sirens’ as She Renews Netflix Deal (EXCLUSIVE) [301d]