The Brutalist Report - variety

Variety

Catherine O’Hara on Her Scene-Stealing ‘The Last of Us’ Character, Why Pedro Pascal Is Like Meryl Streep and Catching COVID While Making ‘The Studio’ [300d]
‘Death Becomes Her’ Costume Designer Paul Tazewell Leaned Into Old Theater Magic for Helen’s Hole-in-the-Stomach Moment and Other Iconic Looks From the Original Film [300d]
‘Alpha’ Review: A Potentially Infected Tattoo Sparks a Tortured AIDS Allegory in Julia Ducournau’s Rotten Follow-up to ‘Titane’ [300d]
‘My Father’s Shadow’ Review: Nigeria’s First Ever Cannes Selection Marks a Miraculous Gem of Autofiction [300d]
10 Emmy Rule Changes the TV Academy Should Consider, From Streamlining Acting Categories to Creating ‘Episode of the Year’ [300d]
William H. Macy, Ben Wang Wrap Will Ropp’s Teen Comedy “Brian” (EXCLUSIVE) [300d]
How Broadway’s ‘Sunset Blvd’ Pulled Off Opening Credits and Car Chase Sequence [300d]