The Brutalist Report - variety

Variety

Vertical Acquires William Kaufman Sci-Fi Thriller ‘Osiris’ For North American Distribution (EXCLUSIVE) [303d]
‘The Chronology of Water’ Review: Kristen Stewart’s Directorial Debut Is a Stirring Drama of Abuse and Salvation, Told With Poetic Passion [303d]
‘Amrum’ Review: Fatih Akin’s Understated Coming-of-Age Tale Is Generous, Classical and Soul-Stirring [303d]
Kristen Stewart’s Directorial Debut ‘The Chronology of Water,’ An Unflinching Portrait of Abuse and Addiction, Earns 4-Minute Cannes Ovation [303d]
No, Homeland Security Has Not Backed a Reality Show Awarding U.S. Citizenship — But It Could Still Happen [303d]
Bono Rocks Cannes With 7-Minute Standing Ovation for ‘Stories of Surrender’ [304d]
Kate Mara Talks ‘Friendship’ Absurdity and Working With Her Sister Rooney on ‘Bucking Fastard’ [304d]
Aimee Mann on Being ‘Freaked Out’ at Reuniting Til Tuesday After 35 Years for a Single Gig at L.A.’s Cruel World Festival (EXCLUSIVE) [304d]
‘Bono: Stories of Surrender’ Review: The U2 Legend Finds What He’s Looking for in a Captivating Film of His One-Man Show [304d]
Bruce Springsteen Biopic ‘Deliver Me From Nowhere,’ Starring Jeremy Allen White, Lands October 2025 Release Date [304d]
Radhika Apte on Going Feral in Her ‘Completely Crazy’ Mumbai Comedy ‘Sister Midnight’ and Why She’s Looking Beyond Bollywood [304d]