The Brutalist Report

Variety

• Menendez Brothers Score Court Win, as Judge Allows Resentencing to Proceed [341d]
• Coachella Livestream Schedule: How and Where to Stream the Weekend 1 Performances [341d]
• Paul Giamatti Breaks Down ‘Black Mirror’ Episode ‘Eulogy’ and That ‘Creepy’ and ‘Ambiguous’ Ending [341d]
• ‘The Bodyguard’ Remake From ‘Taylor Swift: The Eras Tour’ Director Sam Wrench Set at Warner Bros. [341d]
• Gersh Partners with Pace, Emerson and SCAD for Gersh U Educational Program (EXCLUSIVE) [341d]
• Crowning ‘The King of Kings’: Inside the Early Box Office Success of Angel Studios’ Starry Biblical Epic [341d]
• Sean Ono Lennon on Working on the ‘One to One: John & Yoko’ Soundtrack, and What the Doc Reveals About His Parents: ‘It’s Like They Were the First Reality-TV Celebrity Couple’ [341d]
• Anthropic Chief Says AI Tools Can Be a ‘Force Multiplier’ for Business [341d]
• Bella Thorne Accuses Mickey Rourke of On-Set Misconduct: ‘So Many Gross Stories of Things He Made Me Go Through’ [341d]
• ‘The Pitt’ Hits Season Average of 10 Million Viewers Since Premiere [341d]
• ‘A Minecraft Movie’: Three Zoomers Dissect How They Really Feel About the Blockbuster [341d]
• Stunt Designer Chris O’Hara Says New Oscar Category ‘Validated’ the Community [341d]
• ‘The Big Chief’ Director Investigates Soviet Spy Ringmaster Leopold Trepper and Antisemitism in Communist-Era Poland [341d]
• Ted Kotcheff, ‘First Blood’ and ‘Weekend at Bernie’s’ Director, Dies at 94 [341d]
• Visions du Réel Crowns ‘The Prince of Nanawa’ as Grand Prix Winner, ‘The Vanishing Point’ Claims Burning Lights Award [341d]
• Why Noah Wyle and ‘The Pitt’ Will Bring Procedural Dramas Back to the Emmy Race [341d]