The Brutalist Report

Variety

• ‘Invincible’ Creator Robert Kirkman on That Conquest Finale Fight, Surprise ‘Walking Dead’ Reunion and Mark Fighting Satan in Unused Comic Storyline [424d]
• Popular Science Launches FAST Channel Via Underknown (EXCLUSIVE) [424d]
• ‘I’m Beginning to See the Light’ Acquired By Gravitas for U.S. and Canada (EXCLUSIVE) [424d]
• A24’s Bloody Combat Film ‘Warfare’ Gets Veterans Screening in Hollywood With Charles Melton, D’Pharaoh Woon-A-Tai [424d]
• Bill Ackman’s Pershing Square to Raise $1.4 Billion From Sale of 2.7% of Universal Music Group [424d]
• FCC Chairman Announces Effort to Counter Threat From China [424d]
• ‘Descendent’ Review: A Security Guard Unravels After Experiencing a Close Encounter in Effective Suspense Drama [424d]
• Barry Jenkins in Talks to Direct Glen Powell in Sci-Fi Thriller ‘The Natural Order’ [425d]
• ‘Split Fiction’ Video Game Sells 2 Million Copies in First Week [425d]
• Amanda Seyfried on Why Her Joni Mitchell Cover Wasn’t a Biopic Audition and Listening to Taylor Swift on the ‘Long Bright River’ Set After ‘Emotional’ Filming [425d]
• Sean ‘Diddy’ Combs’ Legal Team Claims CNN Altered Video of Alleged Cassie Ventura Assault and Destroyed Original Footage [425d]
• ‘The Actor’ Director Duke Johnson on Embracing the Film’s ‘Theater Troupe Energy’ and Why André Holland Is ‘Such an Intuitive Actor’ [425d]
• Auli’i Cravalho Reflects on Making SXSW Documentary ‘Reef Builders’ and How ‘I Feel Like I’m Inheriting a World That Is On Fire’ [425d]
• Lionsgate TV Group’s Kevin Beggs Named Chairman of the International Academy of TV Arts & Sciences [425d]
• Este Haim Brings Creative Chops to Stunning Home Makeover, Courtesy of Lulu and Georgia: ‘Nothing Really Felt Like Home Until I Walked Into This Space’ [425d]
• ‘On Swift Horses’ Review: Daisy Edgar-Jones Wagers There’s More to Marriage in ’50s-Set Drama [425d]
• ‘F1’ Trailer: Brad Pitt and Damson Idris Electrify the Racing Circuit in Heart-Pounding New Footage [425d]