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Variety
Dede Gardner on ‘Nickel Boys,’ ‘Mickey 17’ and Filmmaking During the Trump Administration: ‘Keep Pushing for Story That Counteracts the Erasure of History’
[451d]
Jacob Elordi Heats Up Berlin — and Debuts New Sideburns — at Premiere of Prisoner of War Series ‘Narrow Road to the Deep North’
[451d]
Isabella Rossellini Joins Ryan Murphy’s ‘The Beauty’ (EXCLUSIVE)
[451d]
Berlin Goes Bananas for Robert Pattinson and His Clones in Bong Joon Ho’s ‘Mickey 17’
[451d]
‘Dreams’ Review: A Stone-Cold Jessica Chastain Reunites With Director Michel Franco for a Thorny Moral Drama
[451d]
Biff Wiff, ‘I Think You Should Leave’ Actor, Dies
[451d]
‘Out of Plain Sight,’ ‘O Horizon’ and ‘Road of Fire’ Among 2025 Santa Barbara International Film Festival Winners – Film News in Brief
[451d]
More Than Just Films, Catalonia’s Next-Gen Producers, New Tech Startups and Buzzy TV Series Reach Every Corner of This Year’s Berlinale
[451d]
Jacob Elordi on Why Losing Weight to Play a Prisoner of War in ‘Narrow Road to the Deep North’ ‘Wasn’t Torture’: ‘There Was a Peace That Came Over All of Us’
[451d]
Why Some Filmmakers Think Oscars Doc Voters Should ‘Suck It’ for Ignoring Celebrity Subjects
[451d]
Paramount Settlement With Trump Would Set ‘Dangerous Precedent,’ But Likely Wouldn’t Draw Bribery Charge, Experts Say
[451d]
‘Yellowjackets’ Star Jenna Burgess Explains That Shocking Episode 2 Ending: ‘There’s a Brutal Side to Shauna That Melissa Is Very Attracted To’
[451d]
‘Love Is Blind’ Producers Pay Homage to ‘Dawson’s Creek’ With New High School Reality Series ‘Sweethearts’
[451d]
‘Mickey 17’ Review: A Dopey Robert Pattinson Is Dying to Make You Laugh in ‘Parasite’ Director’s Disappointing Follow-up
[451d]
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