The Brutalist Report

Variety

• Oprah Winfrey Says Kamala Harris Is No Longer ‘Hiding in Plain Sight’ [657d]
• Venice Film Festival Red Carpet and Fashion Photos [657d]
• ‘Reagan’ Review: Dennis Quaid’s Affable yet Authoritative Presidential Performance Leads a Blatantly Worshipful Biopic [657d]
• Abraham Lincoln Doc ‘Lover of Men’ Partners With LGBTQ Group Human Rights Campaign (EXCLUSIVE) [657d]
• ‘Arcadia’ Review: In Between Life and Death, There’s a Whole Lot of Mixed Emotions in Yorgos Zois’ Modern Greek Tragedy [657d]
• Winona Ryder Says Some People Were ‘Blatantly Sexually Harassing Me’ as a Young Actor; She Told Jenna Ortega Stories And Thought: ‘That’s F*cked Up’ [657d]
• ‘Super Happy Forever’ Review: Nostalgia Can’t Mend a Broken Heart In a Gentle Japanese Charmer [657d]
• ‘Kill the Jockey’ Director on ‘Wild World’ of Horse-Racing, and His Next Film, About a ‘Crack-Smoking Priest in Bolivia’ (EXCLUSIVE) [657d]
• Russo Brothers’ AGBO Announces Return of ‘No Sleep ‘Till Film Fest’ Short Film Challenge – Film News in Brief [657d]
• M. Night Shyamalan’s ‘Trap’ Gets Digital, Blu-ray/DVD Release Dates [657d]
• Angelina Jolie Weeps Through Rapturous 8-Minute Venice Standing Ovation for ‘Maria,’ Launching Oscar Buzz [657d]
• ‘Kill the Jockey’ Review: A Colourful Argentine Oddity That Refuses to Stay on Track [657d]
• Aerosmith’s Tom Hamilton Says He Believes ‘the Band Is Still Alive’… but Touring, Albums and Vegas Are Not in the Cards [658d]
• Obamas’ Higher Ground Acquires Telluride Short Baseball Doc ‘The Turnaround’ From Oscar Winner Ben Proudfoot (EXCLUSIVE) [658d]
• Matt Bomer, Debbie Allen to Be Honored by Project Angel Food (EXCLUSIVE) [658d]
• Pharrell Williams and Michel Gondry’s ‘Atlantis’ Musical Film Lands May 2025 Theatrical Release [658d]
• Greenwich Entertainment Buys ‘Mad About the Boy – The Noel Coward Story’ (EXCLUSIVE) [658d]
• Mo’Nique Never Doubted She’d Work With Lee Daniels Again Despite Yearslong Feud: ‘I’m Willing to Fight for This Friendship’ [658d]
• Kevin Macdonald on Showcasing John Lennon’s ‘Political Engagement’ (and Recreating His New York Apartment) in ‘One to One: John & Yoko’ [658d]
• China Has Been Ignoring Hollywood Movies. Why ‘Alien: Romulus’ Is an Exception [658d]
• ‘Apocalypse in the Tropics’ Review: Petra Costa Offers a Sobering Look at the Evangelical Age of Brazilian Politics [658d]