The Brutalist Report - variety

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Variety

Benedict Cumberbatch on Where ‘Eric’ Leaves Its Troubled Puppeteer: ‘He’s Gone Through This Dark Night of the Soul’ [754d]
Giancarlo Esposito Joins Marvel’s ‘Captain America: Brave New World’ [754d]
Luminate Streaming Ratings: Shane Gillis’ ‘Tires’ Takes Second Place as ‘Bridgerton’ Continues Its Reign May 24-30 [754d]
How Marvel’s ‘What If…?’ Became the Ideal Platform for ILM Immersive’s Interactive Storytelling [754d]
Crowded House’s Neil Finn on How a Stint With Fleetwood Mac Led to Revitalizing His Own Band: ‘I Realized That We Had a Flag That You Can Follow’ [754d]
Best of Cannes: 17 Must-See Movies From the 2024 Festival [754d]
How ‘In a Violent Nature’ Made This Year’s Goriest Death, Plus the Underwater Kill Scene That Got Cut and Sequel Plans [754d]
‘Furiosa’ Composer Tom Holkenborg Reveals How He Used AI in the Score to Create ‘Deep Fake Voices’ [754d]
Mike Tyson and Jake Paul’s Netflix Livestreamed Boxing Match Postponed Due to Tyson Ulcer Flare-Up [754d]
‘Blue Velvet,’ ‘Chinatown’ and ‘Fear and Loathing in Las Vegas Arrive on 4K in June [754d]
Marvel Composers on Crafting Music For Mutants, Gods and Heroes [754d]
Sony Shuts Down ‘The Afterparty’ and ‘Lucky Hank’ Studio TriStar Television, Jennifer Turner Exits [754d]
How the Documentary Boom Has Been a Boon for Music Storytelling [754d]
Why Does Apple TV+ Love Outer Space So Much? [754d]