The Brutalist Report

Variety

• Bob Iger: Hollywood Storytellers Need to ‘Embrace the Change’ Driven by Tech Innovation [762d]
• CBS Defends Diversity Hiring on ‘SEAL Team’ From ‘Anti-White Discrimination’ Suit [762d]
• ‘A Simple Favor’ Director Paul Feig on Having the No. 1 Movie on Netflix and Why It’s the First Sequel He Agreed To [762d]
• Alfonso Cuarón Got ‘Confused’ by ‘Harry Potter’ Director Offer and Found It ‘Really Weird,’ Then Guillermo del Toro Called Him an ‘Arrogant A–hole’ [762d]
• ‘Romeo and Juliet’ Review: Tom Holland-Led Production Is Hobbled by Director Jamie Lloyd’s Extreme Stylization [762d]
• Emmy Predictions: Guest Actors — ‘The Bear’ Could Dominate With Jamie Lee Curtis and John Mulaney; Uncertainty Looms in Drama Races [762d]
• ‘All We Imagine as Light’ Review: A Glowing Portrait of Urban Connection and Unexpected Sisterhood [762d]
• ‘Emily in Paris’ Season 5 Role Auctioned Off in Cannes, but Netflix Denies Renewal [762d]
• If Live Nation and Ticketmaster Are Broken Up, Will Things Get Better for Fans? [762d]
• NBCUniversal Sells $10.1 Million Worth of BuzzFeed Stock After Vivek Ramaswamy Discloses 7.7% Stake in Company [762d]
• At Dan Tana’s Restaurant, the Loss of Dabney Coleman Hits Hard: ‘He Was Larger Than Life’ [762d]
• Paramount Global, Charter Ink Multiyear Renewal That Will Bring Paramount+, BET+ to Spectrum TV Customers [762d]
• Dove Cameron, Avan Jogia Cast in Prime Video Thriller Series ‘Obsession’ With James Wan Executive Producing [762d]
• Kelly Rowland Says ‘I Stood My Ground’ in Clash With Cannes Red Carpet Usher: Other Women ‘Who Didn’t Quite Look Like Me Didn’t Get Scolded or Pushed Off’ [762d]