The Brutalist Report

Variety

• How an Absent Father, a Facebook Doppelgänger and Barbie Ferreira’s Baby Pictures Helped Create SXSW Film ‘Bob Trevino Likes It’ [841d]
• ‘Songs From the Hole’ Review: The Mesmerizing Story of a Rap Album Created Behind Bars That Helped a Convict Find Redemption [841d]
• Oscar Final Picks in Every Category, as Debated by Variety’s Awards Circuit Podcast Roundtable [841d]
• ‘Harry Potter’ Actor Miriam Margolyes Says Adult Fans ‘Should Be Over’ the Franchise by Now: ‘It’s for Children’ [841d]
• Jean Smart and ‘Hacks’ Team Tease a ‘Totally Unexpected’ Season 3 Twist at SXSW Premiere [841d]
• ‘Conan O’Brien Must Go,’ the Host’s Return to TV, Gets a Max Premiere Date [842d]
• ‘Kung Fu Panda 4’s’ Chameleon Was One of Dreamworks’ Most Complex Creations: ‘Every Little Spike on Her Hand…Was Completely Animatable’ [842d]
• Colman Domingo Explains Why He Attended the SXSW Premiere of ‘Sing Sing’ the Same Weekend as the Oscars (EXCLUSIVE) [842d]
• ‘How to Build a Truth Engine’ Review: A Sobering but Fatally Flawed Doc on Disinformation [842d]
• ‘I Love You Forever’ Review: A Suffocating Beau Ties Together Genres in a Nifty Millennial Rewrite of Rom-Coms [842d]
• Alexander Payne’s ‘The Holdovers’ Accused of Plagiarism by ‘Luca’ Writer (EXCLUSIVE) [842d]
• ‘Imaginary’ Star Betty Buckley on Embracing Playing Another ‘White-Haired Weirdo’ and Why She’s Unsure About a Return to Broadway [842d]