The Brutalist Report

Variety

• Disney’s Korean Original ‘Moving’ Dominates Asia Contents Awards & Global OTT Awards [1003d]
• EST N8 Adds Hong Kong Remake of ‘Tape,’ Filipino Comedy ‘ASOG’ to Bulging Busan Film Sales Slate (EXCLUSIVE) [1003d]
• DreamWorks Animation Laying Off 70 Employees [1003d]
• Gritty Thai Drama ‘Doi Boi’ Marks Feature Debut for Documentary Veteran Nontawat Numbenchapol: ‘Everyone Starts With a Dream’ (EXCLUSIVE) [1003d]
• ‘Dicks: The Musical’ Creator-Stars Talk Megan Thee Stallion’s Show-Stopping Number and Whether Their Songs Out-Profane ‘Book of Mormon’ [1003d]
• Oscars Predictions: Production Design – ‘Barbie’ and ‘Oppenheimer’ Among Fantasy and Period Films Competing for Academy Attention [1004d]
• Guillermo Del Toro Reveals Why He Didn’t Direct ‘Pacific Rim’ Sequel, Says He Never Saw Final Film: ‘That’s Like Watching Home Movies From Your Ex-Wife’ [1004d]
• 20 Craziest ‘90 Day Fiancé’ Moments, From Secret Wives to Swimming in Condoms [1004d]
• ‘Dicks’ Director Larry Charles Slams Big-Budget Films: It’s ‘Offensive When Movies Cost $250 Million’ and the ‘World Is in the State That It’s in’ [1004d]
• How to Watch ‘House of Kardashian’ Online [1004d]
• ‘Concerning My Daughter’ Review: A Glowing Central Turn Illuminates a Tender Tale of Maternal Acceptance [1004d]
• Michael Chiarello, Celebrity Chef and Former Food Network Star, Dies at 61 [1004d]
• ‘House of Kardashian’ Director on Kim, Kris and That Sex Tape: ‘They’re Intelligent Women Who Know What They’re Doing’ [1004d]
• Greta Gerwig Fought for ‘I’m Just Ken’ Dance Sequence in ‘Barbie’: ‘This Could Be Terrible, but Now I’m Committed’ [1004d]
• CultureCon Audience Calls Out Interviewer for Mispronouncing Issa Rae’s Name on Stage [1004d]