The Brutalist Report - variety
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- FX’s ‘A Murder at the End of the World’ Delays Hulu Premiere to November [1082d]
- ‘The Beanie Bubble’ Is Not Actually About Beanie Babies [1082d]
- Will Smith Speaks Out on SAG-AFTRA and WGA Strikes: ‘It’s a Pivotal Moment for Our Profession’ [1082d]
- ‘Up Here’ Canceled After One Season at Hulu [1082d]
- Disney Loses Bid to Throw Out Florida Lawsuit Over Theme Park District [1082d]
- Sarah Silverman Slams Actors for Working Under SAG Indie Interim Agreements: ‘It’s Scabbing’ [1082d]
- Dogstar’s Keanu Reeves, Bret Domrose and Rob Mailhouse Break Down Their Summery New Sound After 23-Year Absence [1082d]
- ‘Venom 3’ and ‘Bad Boys 4’ Land Summer 2024 Release Dates [1082d]
- ‘Beyond the Spider-Verse’ Taken Off Sony Release Calendar as Strikes Delay ‘Kraven’ and ‘Ghostbusters’ Sequel to 2024 [1082d]
- Dave Coulier Will Pause New Episodes of ‘Full House’ Rewatch Podcast During SAG-AFTRA Strike [1082d]
- Bethenny Frankel Enlists Power Attorneys Bryan Freedman and Mark Geragos in Fight for Reality Star Protections: ‘This Is Going to Be a War’ (EXCLUSIVE) [1082d]
- Seth Rogen Says ‘Fear of the Process’ Has Turned Him Off From Marvel and DC Films: ‘Is It a System We’d Get Really Frustrated With?’ [1082d]
- ‘Joni Mitchell at Newport’ Is the ‘Photos or It Didn’t Happen’ Proof of a Resurrection: Album Review [1082d]
- Jewish Film Institute Awards Completion Grants to Six Independent Films (EXCLUSIVE) [1082d]
- Aphex Twin’s ‘Blackbox Life Recorder 21f’ Takes Dancefloors Back Into Dark Places: EP Review [1082d]
- ‘Anyone Could Be the Girl Next Door’: How Jenny Han Defied Hollywood Typecasting to Turn ‘The Summer I Turned Pretty’ Into a Smash Hit [1082d]
- Shark Week 2023 Delivers Biggest Opening Night in 3 Years With More Than 5.3 Million Viewers [1082d]
- Public Enemy, Salt-N-Pepa to Celebrate 50 Years of Hip-Hop at 2023 Guild of Music Supervisors Conference (EXCLUSIVE) [1082d]
- Travis Scott’s Long-Delayed ‘Utopia,’ Featuring Beyonce, Drake, the Weeknd and More, Was Worth the Wait: Album Review [1082d]
- Force Majeure Terminations for First Look, Overall Deals at Struck Companies Coming as Early as Aug. 1 (EXCLUSIVE) [1082d]
- How ‘Haunted Mansion’ Incorporated ‘Grim Grinning Ghosts’ Into Its Score [1082d]
- Carly Rae Jepsen on ‘Experimental’ Album ‘The Loveliest Time’: It’s a ‘Place to Get Wild and Freaky’ [1082d]
- Leaving Hip-Hop Behind, Post Malone Turns His Vices Into the Stuff of Pure Synth-Pop in ‘Austin’: Album Review [1082d]
- Where Are the Sinéad O’Connor Tributes From U.K. Broadcasters? [1082d]
- ‘Good Omens’ Season 2: How Neil Gaiman Went Off Book With the Story of Aziraphale and Crowley — Ending on a Massive Cliffhanger [1082d]
- Sinéad O’Connor’s Documentary Director on the Late Singer’s Courage and the Unfinished Album She Left Behind [1082d]
- How Liz Garbus and Dan Cogan’s Story Syndicate Finds the ‘Wagyu Beef’ of True Crime [1082d]
- Christine Romans Exits CNN After Two-Decade Tenure [1082d]
- Box Office: ‘Haunted Mansion’ Makes $3.1 Million in Previews, but ‘Barbenheimer’ Stays Strong [1082d]
- Luca Guadagnino, Paolo Sorrentino Stand Behind Italian Film Students After Right-Wing Government Attempts to Take Over Centro Sperimentale School [1082d]
- Dulquer Salmaan, Rana Daggubati Team for ‘Kaantha’ (EXCLUSIVE) [1082d]
- ‘Cheat,’ FrightFest-Bound Supernatural Horror Film, Picked up by Black Mandala [1082d]
- ‘Secret Invasion’ Director Ali Selim Dissects the Season Finale and Reacts to the Mixed Reviews [1082d]
- ‘Harry Potter and the Cursed Child’ Celebrates Seventh Anniversary, Extends London West End Run – Global Bulletin [1083d]
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