The Brutalist Report

Variety

• ‘Vanderpump Rules’ #Scandoval Finale Episode Hits Series-High Ratings for Bravo [1153d]
• Arnold Schwarzenegger’s Son Joseph Baena Shows Love at ‘Fubar’ Premiere: ‘It’s Cute Seeing His Vulnerable, Little Fatherly Side’ [1153d]
• Magic and Cookie Johnson to Be Honored at Elizabeth Taylor Ball to End AIDS – Film News in Brief [1153d]
• ‘Some Like It Hot’ Tony Nominees Marc Shaiman and Scott Wittman Tease Possible ‘Only Murders in the Building’ Musical Episode in Season 3 (EXCLUSIVE) [1153d]
• ‘Fallen Leaves’ Review: Aki Kaurismäki Stages a Tiny Sliver of a Romance in a Quirky Finnish Kaurismäki Land That Hasn’t Changed in 30 Years [1153d]
• ‘Kidnapped’ Review: Marco Bellocchio’s Luxuriant Account of Religious Child Abduction Is Dignified but Dusty [1153d]
• Jewish Story Partners Set 2023 Slate of Documentary Film Grantees (EXCLUSIVE) [1153d]
• AMC Theaters to Screen ‘Black Ice,’ Documentary That Unthaws Hidden History of Racism Against Black Hockey Players (EXCLUSIVE) [1153d]
• Variety and Sportico Partner to Host Sports and Entertainment Summit on July 13 [1153d]
• Mrs. Kasha Davis on Drag Story Hour and Conservative Bans: ‘You Don’t Have to Understand What Isn’t for You’ [1153d]
• Why Ben Platt and Micaela Diamond Love Sharing the Tony Nominations Spotlight [1153d]
• Quentin Tarantino Remembers ‘Once Upon a Time’ Character Rick Dalton: ‘He Was a Big Hit’ [1153d]
• Amazon Prime Video’s Josh McIvor Shifts to MGM+ Global General Manager Role [1153d]
• Music Industry Moves: NMPA to Honor Brandi Carlile as Songwriter Icon; Terrace Martin and BMG Partner Up for Jazz Album Series [1153d]
• Max for Dummies: How Do HBO Max Subscribers Transition to the New Platform? [1153d]
• ‘Asteroid City’ Review: Wes Anderson’s New Film Is a Piece of 1950s Desert Americana That’s Visually Dazzling and Dramatically Inert [1153d]
• Ford Reverses Course and Pledges to Install AM Radio in New Vehicles After All, as Controversy Over Booting It From Car Dials Grows [1153d]
• MTV Video Music Awards Announces September Date, Return to New Jersey [1153d]
• Felipe Galvez Readies to Ruffle Some Feathers with ‘The Settlers,’ a Western about Chile’s Bloody Colonial Past: ‘I Love to Be Controversial’ [1153d]
• USC’s Norman Lear Center Releases Media Guidelines for Depictions of Safe Gun Use in Entertainment [1153d]
• Cinesite Takes Majority Stake in Andy Serkis’s Mo-Cap Production Outfit The Imaginarium Studios (EXCLUSIVE) [1153d]
• Matt Damon Calls Off ‘Oppenheimer’ vs. ‘Barbie’ Social Media Rivalry: ‘People Are Allowed to Go See Two Movies in a Weekend’ [1153d]
• Sports.com Ink Deal With Twickenham Film Studios For Original Content (EXCLUSIVE) [1153d]
• Max Not Working? Some Users Report Log-In Errors, Crashes as HBO Max Converts to New Streaming Platform [1153d]
• The Weeknd Admits ‘The Idol’ May ‘Piss Some People Off,’ Sam Levinson Says Toxic Set Report Made Him Realize It’ll Be ‘Biggest Show of the Summer’ [1153d]
• Rolf Harris Dead: Sex Offender and Former TV Star Was 93 [1153d]
• Alex Kahuam’s Ted Raimi Thriller ‘Failure!’ Goes With Alief (EXCLUSIVE) [1153d]
• ‘You Get the Bigger Calls When You’re Here’: Cannes’ Focus COPRO’ Gives First-Time Feature Filmmakers a Launching Pad [1153d]