The Brutalist Report

Variety

• ‘Hollywood 2.0’: How the Rise of AI Tools Like Runway Are Changing Filmmaking [1248d]
• Keanu Reeves Spent Three Months Training for ‘John Wick 4’ Action Scenes: ‘Have We Gone Too Far?’ [1248d]
• ‘The Flash’ to Screen for the First Time at CinemaCon 2023 (EXCLUSIVE) [1248d]
• Ex-MoviePass Exec Charged With Allegedly Stealing From Company to Pay for Coachella Party [1248d]
• MasterClass Hires Ben Cotner, Formerly With Netflix and A24, as VP of Creative [1248d]
• Academy Adds Oscars ‘Crisis Team’ After Will Smith Slap: ‘We’ll Be Prepared for Anything We May Not Anticipate’ [1248d]
• Isabella Pollok, Subject in ‘Stolen Youth’ Sex Cult Docuseries, Sentenced to Four Years [1248d]
• Despite ‘Avatar 2’ Box Office Success, Imax’s Quarterly Revenues Fall [1248d]
• Tyler ‘Ninja’ Blevins Named Chief Innovation Officer at GameSquare [1248d]
• ‘Outer Banks’ Star Chase Stokes Bombed His ‘Stranger Things’ Audition to Play Steve: ‘I Forgot All the Lines and Absolutely F—ed Up’ [1248d]
• Disney+ Original ‘The Good Mothers’ Scoops Berlinale Series Award [1248d]
• India’s Vijay Varma Talks Berlinale Series Show ‘Dahaad’: ‘There’s a Shroud of Mystery Around My Character’ (EXCLUSIVE) [1248d]
• Oscar Nominees Brendan Fraser, Stephanie Hsu and Paul Mescal Reveal the Last Time They Cried at the Movies [1248d]
• Sam Claflin Finds His Voice: How the ‘Hunger Games’ Scene-Stealer Became a Rockstar in ‘Daisy Jones & the Six’ [1248d]