The Brutalist Report

Variety

• Sundance: Magnolia Pictures Buys D. Smith Documentary ‘Kokomo City’ [1281d]
• ‘To Live & Die and Live’ Review: A Prodigal Son’s Self-Destructive Trawl Through a Reviving Detroit [1281d]
• Pamela Anderson Alleges Tim Allen Flashed His Penis at Her When She Was 23 (EXCLUSIVE) [1281d]
• ‘Fair Play’ Cast on Creating Sundance’s Most Shocking Sex Scene: ‘There Was Too Much Blood at One Point’ [1281d]
• David Crosby Was Working on a Planned Tour and New Album Up to the Day He Died, Collaborators Say [1281d]
• ‘All Dirt Roads Taste of Salt’ Review: A Pensive, Visually Sublime Patchwork of Mississippi Sense Memories [1281d]
• ‘Infinity Pool’ Review: How Many Alexander Skarsgärd Clones Does It Take to Screw Up Your Vacation Plans? [1281d]
• Cynthia Erivo on Making the Gritty, Emotionally Devastating Sundance Refugee Drama ‘Drift’ [1281d]
• Axl Rose, Alanis Morissette, Billy Corgan Deliver Emotional Musical Tributes to Lisa Marie Presley at Graceland Memorial [1281d]
• George Takei, Simu Liu Among Those Expressing Outrage at California Lunar New Year’s Eve Shooting Where 10 Were Killed [1281d]
• Deborah Barak, Longtime CBS Business Affairs Executive, Dies at 65 [1281d]
• ‘Going Varsity in Mariachi’ Takes Intimate Look at Competitive High School Bands on U.S.-Mexico Border [1281d]
• ‘Avatar: The Way of Water’ Becomes Sixth Film in History to Surpass $2 Billion Globally [1281d]
• ‘Avatar 2‘ Continues Box Office Domination, ’Puss in Boots’ Sequel Stays Surprisingly Strong [1281d]
• ‘Judy Blume Forever’ Review: Crayola-Bright Documentary Pays Tribute to a Path-Breaking Children’s Author [1281d]
• ‘Eileen’ Review: Anne Hathaway and Thomasin McKenzie Excel in a Wildly Audacious, Wondrously Twisted Period Psychodrama [1281d]