The Brutalist Report - variety
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- Adam Lambert: Homophobia ‘Probably’ Cost Me the ‘American Idol’ Win [1283d]
- Gabrielle Union Teases Possible New ‘Bring It On’ Movie: ‘We’ve Been Developing a Sequel Forever’ [1283d]
- Director Roger Ross Williams ‘Stalked’ Gael García Bernal for Sundance Gay Wrestler Drama ‘Cassandro’ [1283d]
- Mia Goth Breaks Down Her Iconic ‘I’m a Star’ Meltdown From ‘Pearl’: ‘My Body Always Has Far Better Ideas Than My Head’ [1283d]
- Michael J. Fox Documentary ‘Still’ Scores Emotional Standing Ovation at Sundance Film Festival Premiere [1283d]
- Emma Tremblay Discovers an Out-of-this-World Secret in ‘Aliens Abducted My Parents and Now I Feel Kinda Left Out’ First Trailer (EXCLUSIVE) [1283d]
- Alan Komissaroff, Fox News SVP of News and Politics, Dies Following Heart Attack [1283d]
- Daisy Ridley Shares ‘Star Wars’ Advice to Female Leads: ‘It’s Important to Tune Out the Stuff’ [1283d]
- Finn Wolfhard: If ‘Stranger Things’ Went on Longer Than Five Seasons ‘It Would Be Ridiculous’ [1283d]
- Donn Cambern, ‘Easy Rider’ Editor and Former Motion Picture Editors Guild President, Dies at 93 [1283d]
- Mac DeMarco on the Road to ‘Five Easy Hot Dogs,’ Quitting Nicotine and Why TikTok Is ‘Depressing’ [1283d]
- Robert Pattinson Faced His Fear of Dancing on Camera, but It Couldn’t Prevent ‘One of the Biggest Panic Attacks of My Life’ [1283d]
- ‘Killers of the Flower Moon’ Is Far Different From Scorsese’s Original Plan — Thanks to the Osage Nation, Says Lily Gladstone [1283d]
- Jessica Woodworth’s Sci-Fi Epic ‘Luka’ Debuts Trailer Ahead of Rotterdam Premiere (EXCLUSIVE) [1283d]
- Emilia Clarke Refuses to Watch ‘House of the Dragon’: ‘Can You Forgive Me? It’s So Weird’ [1283d]
- Stacy’s Pita Chips Invests in Women Entrepreneurs With Its Rise Project [1283d]
- David Harbour’s ‘Violent Night’ Is Now Streaming [1283d]
- ‘Run Rabbit Run’ Review: Sarah Snook is Spooked by Her Kid in an Effective if Familiar Mommy-Issues Chiller [1283d]
- Timothée Chalamet Ponders His Next Role in Hilarious New Apple TV+ Commercial [1283d]
- Ben Platt Praises Paul Mescal in ‘Merrily We Roll Along,’ Which Films for 19 More Years: ‘He’s One of Our Greatest Screen Talents’ [1283d]
- ‘Call Her Daddy’ Host Alex Cooper on the 10 Essentials She Uses on a Busy Editing Day [1283d]
- ‘Joyland,‘ Pakistan’s Oscar Entry, Thrives at French Box Office and Prepares for International Roll-Out Following Sundance (EXCLUSIVE) [1283d]
- ‘Earth Mama’ Review: Savanah Leaf’s Feature Debut Offers Tough but Sensitive Look at Single Mother’s Struggle [1283d]
- Taylor Kinney Taking a Break From ‘Chicago Fire’ for a Personal Matter [1283d]
- Hollywood Armorer Reacts to ‘Rust’ Manslaughter Charges: ‘There Is So Much Fault to Go Around’ [1283d]
- Wheelhouse Launches U.K. Arm, Sets Deal With ITV Studios – Global Bulletin [1283d]
- Magnolia Buys Worldwide Rights to ‘Little Richard: I Am Everything’ After Sundance Premiere [1283d]
- Daveed Diggs Signs With CAA (EXCLUSIVE) [1283d]
- ‘Cobra Kai’ Renewed for Sixth and Final Season at Netflix [1283d]
- ‘Invincible’ Season 2 Teaser Reveals Late 2023 Premiere on Amazon Prime Video [1283d]
- Variety.com Becomes No. 1 Entertainment Business News Site of 2022 With Record-Breaking Audience Growth [1283d]
- 25 Years Later, ‘Dawson’s Creek’ Creator Kevin Williamson Revisits Controversial Storylines, Love Triangles and Surprise Exits [1283d]
- Brad Pitt’s Plan B Makes First Foray Into Audio Entertainment With Audible Deal (EXCLUSIVE) [1283d]
- Watch Elizabeth Taylor Speak at First Major AIDS Benefit in New Documentary ‘Commitment to Life’ (EXCLUSIVE) [1283d]
- ‘New Gods: Yang Jian’ Review: The Visual Details Are More Compelling Than the Gods in Animated Sequel [1283d]
- How Sundance Films About Underrepresented Communities Lead to Awards Success [1283d]
- Vox Media Lays Off About 130 Employees, 7% of Workforce [1283d]
- ‘The Stroll’ Offers First-Look Clip Ahead of World Premiere at Sundance Film Festival (EXCLUSIVE) [1283d]
- ‘14 Peaks’ Producer Noah Media Group Reveals Representation and Inclusion Focused Multi-Million Content Fund (EXCLUSIVE) [1283d]
- Thin Lizzy’s Glory Years Return in Spectacular Fashion on ‘Live and Dangerous’ 8-CD Boxed Set: Album Review [1283d]
- Essential David Crosby: A Dozen Great Tracks From the Byrds, CSNY and His Solo Career [1283d]
- Ryan Coogler Reacts to Angela Bassett Becoming an Oscar Frontrunner: ‘She’s So Incredible That Sometimes You Forget’ [1283d]
- Producer Anthony Bregman Talks Likely Story’s Plans for Slate Expansion and His First Triple Crown of Sundance Selections [1283d]
- ‘Fairyland’ Looks Back at Gay Life in San Francisco and the AIDS Crisis That Changed Everything [1283d]
- ‘Workforce’ Director David Zonana Tackles Mexico’s Banes in Military Academy Drama-Thriller ‘Heroic’ [1283d]
- ‘It’s Like “Game of Thrones!”‘: Classical Pianists Battle It Out in Sundance Doc ‘Pianoforte’ [1283d]
- Indian Multiplex Chain Inox Reveals Expansion Plans Ahead of PVR Merger (EXCLUSIVE) [1283d]
- ‘You People’ Review: Eddie Murphy and Julia Louis-Dreyfus Steal Jonah Hill’s Brash ‘Guess Who’s Coming to Dinner‘ Update [1283d]
- The 25 Best ‘Dawson’s Creek’ Episodes, Ranked [1283d]
- ‘The Persian Version’ Director Maryam Keshavarz on Creating a ‘Great Immigrant Story’ for Iranians [1283d]
- Biig Piig Serves Up a Sinewy Set of Futurist Dance-Pop With ‘Bubblegum’: Album Review [1283d]
- Amazon Music Is Hiking Prices on Some Unlimited Plans [1283d]
- ‘Whitney Houston Hotel’ to Be Launched by Singer’s Estate, Primary Wave and Sony During Grammy Week [1284d]
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