The Brutalist Report

Variety

• Andrew Callaghan Posts Video Apology After Sexual Misconduct Allegations, Plans to Start Therapy and Alcoholics Anonymous [1287d]
• A&M Records’ Jerry Moss Feted by Dionne Warwick, Peter Frampton, Amy Grant and More at Music Center Tribute [1287d]
• How to Watch the 2023 Critics’ Choice Awards [1287d]
• How ‘A Man Called Otto’ Beat the Box Office Odds [1287d]
• Miami Terminates FTX Arena Naming Rights Deal Following Crypto Exchange’s Bankruptcy [1287d]
• MGM+ Head Michael Wright on Rebranding from Epix, Integrating with Amazon and Bracing for Industry’s ‘Transitional Year’ [1287d]
• Cyber Group Leverages its Global Network to Develop New Projects ‘Alex Player,’ ‘Digital Girl’ [1287d]
• ‘A Streetcar Named Desire’ Review: Paul Mescal Is Explosive in Rebecca Frecknall’s Staggering Revival [1287d]
• ‘Pacifiction’ Director Albert Serra Tees Up Bullfighter Doc ‘Afternoons of Solitude,’ Plans English-Language Debut (EXCLUSIVE) [1287d]
• ‘Night Court’ Revival Sets Guest Stars Including Pete Holmes, Melissa Villaseñor, Wendie Malick [1287d]
• How HBO’s ‘The Last of Us’ Avoided the ‘Mistake’ of Video Game Adaptations: ‘Let’s Only Have as Much Violence in This Story as Is Required’ [1287d]
• Arte Documentary ‘Nicole Kidman – Eyes Wide Open’ Explores Actor’s Quest as a ‘Lonely Warrior’ [1287d]
• The Lesson of ‘Babylon’: Every Great Filmmaker Has to Fall on His Face Once and Learn From It [1287d]