The Brutalist Report

Variety

• Play-Doh Animated Movie in the Works from Emily V. Gordon and Jon M. Chu [1603d]
• ‘Leprechaun’ Movies Ranked, From the Original to ‘Space’ to ‘the Hood’ [1603d]
• How the Academy’s Screening Room Helps Films Find a Global Audience Among Oscar Voters [1603d]
• Outernet Live, Largest New London Live Events Venue For 80 Years, to Launch in Summer [1603d]
• ‘Umma’ Review: Sandra Oh Fears She’s Turning Into Her Mother in This Supernatural Horror Exercise [1603d]
• Karen Radzyner Joins Australia’s Photoplay as Head of Development (EXCLUSIVE) [1603d]
• WIF Selects Filmmakers for Shorts Lab – Film News in Brief [1603d]
• Petition to Reinstate Eight Oscars to Live Telecast Signed by More Than 350 Industry Pros [1603d]
• Keith Olbermann Isn’t Returning to MSNBC — and He Wants You to Know Why [1603d]
• How ‘Dune’ and ‘Power of the Dog’ Composers Experimented for Oscar-Worthy Soundtracks [1603d]
• How Foreign-Language and Indie Oscar Contenders Worked the System [1603d]
• KiKi Layne Felt ‘Pull to Get on Stage Again’ For Off-Broadway Debut in ‘On Sugarland’ [1603d]
• Andrew Garfield Details ‘Spider-Man’ Meme Photo Shoot: ‘Trying Not to Stare at Each Other’s Crotches’ [1603d]
• Hitmaker of the Month: How Josh Gudwin’s ‘Mix Energy’ Helped Boost Justin Bieber’s ‘Ghost’ [1603d]
• ‘Flee’ Director Talks Pairing Animation With Trauma for Impactful Doc: ‘You Start to Listen In’ [1603d]