The Brutalist Report

The New Yorker

• Victoria Tentler-Krylov’s “Chiaroscuro at the Met” [5d]
• What We Miss When We Talk About the Racial Wealth Gap [5d]
• “No Tax on Tips” Is an Industry Plant [5d]
• Israel’s Zones of Denial [5d]
• Letters from Our Readers [5d]
• Briefly Noted Book Reviews [5d]
• Life Inside a Singular Artists’ Enclave in Brooklyn, in “The Candy Factory” [5d]
• “Bob Marley, Live, 1980,” by Kwame Dawes [5d]
• “Preservation,” by Sylvie Baumgartel [5d]
• Was the Renaissance Real? [5d]
• The Vatican Observatory Looks to the Heavens [5d]
• Daily Cartoon: Monday, July 28th [5d]
• From “I, Tonya” to Chris Farley, Pound by Pound [5d]
• Dolce & Gabbana’s Spartacus Moment [5d]
• Donald Trump’s War with Jerome Powell and the Fed Is Far from Over [5d]
• L.A.’s Food Culture, Transformed by Immigration Raids [5d]
• The Joy of Cooking (for Gertrude Stein) [5d]
• Mexico’s Molar City Could Transform My Smile. Did I Want It To? [5d]
• “Emma” Unrated [5d]
• Trump’s Birthday Parade Was a Hollywood Job [5d]