The Brutalist Report

The New Yorker

• How David Lynch Became an Icon of Cinema [343d]
• Is the TikTok Ban a Chance to Rethink the Whole Internet? [343d]
• “Silo” and the Dystopia We Live In [343d]
• Antony Blinken’s Exit Interview [343d]
• Bonus Daily Cartoon: And Step on It [343d]
• The Unfinished Business the Biden Administration Is Handing Back to Donald Trump [343d]
• Daily Cartoon: Friday, January 17th [343d]
• Ali Smith’s Playful Dystopia [343d]
• Will L.A.’s Fires Permanently Disperse the Black Families of Altadena? [343d]
• The Ghost’s-Eye View of Steven Soderbergh’s “Presence” [343d]
• Ballet Past and Present, at New York City Ballet [343d]
• The Dangerous Work of Clearing Russia’s Deadly Mines from Ukrainian Lands [343d]
• Why the Israel-Hamas Ceasefire Is Happening Now [343d]
• “The Trump Effect”: On Deal-Making and Credit-Claiming in Trump 2.0 [343d]