The Brutalist Report - newyorker

The New Yorker

For Watchers of “The Clock,” Time Is Running Out [237d]
The Return of “My Favorite Season,” a Great Modern Melodrama [237d]
Daily Cartoon: Monday, April 28th [237d]
Military Decorations, Pete Hegseth-Style [238d]
Cinema was Claude Lelouch’s Nanny [238d]
The Impossible Contradictions of Mark Twain [238d]
Jeremy Jordan Mines “Floyd Collins” for Its Sonic Gems [238d]
“Fugue,” by Ishmael Reed [238d]
“Henry’s Ode,” by John Berryman [238d]
Letters from Our Readers [238d]
Meet the City’s New Compost Cops [238d]
Creating a New Fire Island from Scratch [238d]
A Hundred Classics to Get Me Through a Hundred Days of Trump [238d]
Ryan Coogler’s Road to “Sinners” [238d]
Briefly Noted Book Reviews [238d]
The Rise of Megan Moroney, Emo Cowgirl [238d]
A Life-Changing Scientific Study Ended by the Trump Administration [238d]
From “America First” to “Sell America” [238d]
Barry Blitt’s “The First Hundred Days” [238d]
Is the U.S. Becoming an Autocracy? [238d]
A Lawyer Freed Young Thug. Now He’s Defending Diddy [238d]
Updated U.S. Customs and Border Protection Questionnaire [238d]
When Jews Sought the Promised Land in Texas [238d]