The Brutalist Report

The New Yorker

• For Watchers of “The Clock,” Time Is Running Out [7d]
• The Return of “My Favorite Season,” a Great Modern Melodrama [7d]
• Daily Cartoon: Monday, April 28th [7d]
• Creating a New Fire Island from Scratch [7d]
• Updated U.S. Customs and Border Protection Questionnaire [7d]
• When Jews Sought the Promised Land in Texas [7d]
• Military Decorations, Pete Hegseth-Style [7d]
• Cinema was Claude Lelouch’s Nanny [7d]
• The Impossible Contradictions of Mark Twain [7d]
• Jeremy Jordan Mines “Floyd Collins” for Its Sonic Gems [7d]
• “Fugue,” by Ishmael Reed [7d]
• “Henry’s Ode,” by John Berryman [7d]
• Letters from Our Readers [7d]
• Meet the City’s New Compost Cops [7d]
• A Lawyer Freed Young Thug. Now He’s Defending Diddy [7d]
• A Hundred Classics to Get Me Through a Hundred Days of Trump [7d]
• Ryan Coogler’s Road to “Sinners” [7d]
• Briefly Noted Book Reviews [7d]
• The Rise of Megan Moroney, Emo Cowgirl [7d]
• A Life-Changing Scientific Study Ended by the Trump Administration [7d]
• From “America First” to “Sell America” [7d]
• Barry Blitt’s “The First Hundred Days” [7d]
• Is the U.S. Becoming an Autocracy? [7d]